reprint, with an introduction by Luigi Oliveto and a note by Vittorio Sgarbi.
The volume also features an anastatic
facsimile and a transcription, edited by Anne Tordi, of a 15th-century ottava rima adaptation of Decameron 4.
Another idea is formulated in his essay on Anastatic
Printing and concerns the fact that poetic beauty must have the quality of strangeness, of novelty: "'There is no exquisite beauty,' says Bacon, 'without some strangeness in the proportions.
50, Atmul 84 and Dimul S food-grade mold-release, anastatic
and antifogging agents for polyolefins and PVC.