Verrocchio

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Ver·roc·chio

 (və-rō′kē-ō, vĕr-rōk′kyō), Andrea del Originally Andrea di Michele di Francesco Cione. 1435-1488.
Florentine sculptor and painter who was a tutor of Leonardo da Vinci and is best known for a magnificent equestrian statue in Venice.

Verrocchio

(vəˈrəʊkɪˌəʊ; Italian verˈrɔkkjo)
n
(Biography) Andrea del (anˈdrɛːa del). 1435–88, Italian sculptor, painter, and goldsmith of the Florentine school: noted esp for the equestrian statue of Bartolommeo Colleoni in Venice

Ver•roc•chio

(vəˈroʊ kiˌoʊ)

n.
Andrea del, 1435–88, Italian goldsmith, sculptor, and painter.
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Born in Vinci, Italy, in 1452, Da Vinci was fourteen when he apprenticed for artist Andrea del Verrocchio in Florence, a burgeoning city of commerce, art, and humanism.
From the age of 15, for about a decade, Vinci refined his painting and sculpting techniques and trained in mechanical arts with Andrea del Verrocchio, of Florence and outshined as an independent master in around 1478.
Andrea del Verrocchio, the British Guardian newspaper reported.
He is said to have created it around 1472, when he was 19 or 20 and a pupil of the Florentine artist Andrea del Verrocchio, the British Guardian newspaper reported.
At 14, he was apprenticed to the workshop of Andrea del Verrocchio, who was (so Vasari claimed) "astonished" by his talent and with whom he collaborated before producing at least two early masterpieces, The Annunciation and (his first non-religious effort, and one to rank with the Mona Lisa) Ginevra de' Benci.
Luke in 1472 and that he was residing with Andrea del Verrocchio in 1476.
Leonardo da Vinci trained in Florence in the workshop of the eminent painter Andrea del Verrocchio (c.1435-1488).
Born in Vinci, and then trained in Florence in the painting and sculpture workshop of Andrea del Verrocchio (1435-1488), the young Leonardo learned his craft quickly, soon surpassing the painting skills of his master.
4 WINGED BOY WITH A DOLPHIN AFTER ANDREA DEL VERROCCHIO (SAN SEVERINO MARCHE, ITALY) In this medieval comune, whose land tells a human history dating back to ancient times, there is a small museum (the Pinacoteca Civica "Tacchi Vcnturi") that houses the holy slippers and cap of Saint Celestine V, the reluctant pope who died in a small stone cell for seeking freedom from the church.
This year Italian Renaissance painter Andrea del Verrocchio's Tobias and the Angel has been the focus for work.
TOBIAS and the Angel is an altar painting, finished around 1470 to 1480, attributed to the workshop of the Italian Renaissance painter Andrea del Verrocchio.