Carracci

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Related to Annibale Carracci: Peter Paul Rubens, Caracci

Car·rac·ci

 (kə-rä′chē, kä-rät′-)
Family of Bolognese painters, including Agostino (1557-1602), his brother Annibale (1560-1609), and their cousin Lodovico (1555-1619). Their works and influence led a reform of Mannerism that provided a transition to the baroque style.

Carracci

(kəˈrɑːtʃɪ; Italian karˈrattʃi)
n
(Biography) a family of Italian painters, born in Bologna: Agostino (aɡosˈtiːno) (1557–1602); his brother, Annibale (anˈniːbale) (1560–1609), noted for his frescoes, esp in the Palazzo Farnese, Rome; and their cousin, Ludovico (ludoˈviːko) (1555–1619). They were influential in reviving the classical tradition of the Renaissance and founded a teaching academy (1582) in Bologna
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Both The Madonna and Child with Saint Lucy and the Young Saint John the Baptist by Annibale Carracci, and Lorenzo Monaco's small (19.7cm diam.) early 15th-century tondo of The Prophet Isaiah comfortably exceeded their estimates to sell for just over $6m and $3.6m respectively.
The impact of Rome upon the trajectory of seventeenth-century art cannot be overstated: between 1600 and 1610, the city welcomed such canonical painters as Annibale Carracci (1560-1609), a Bolognese pioneer in the idealized landscape; Michelangelo da Caravaggio (1571-1610), a Milanese revolutionary who depicted sacred characters as rough, earthly figures; Adam Elsheimer (1578-1610), a German artist who populated lush landscapes with dramatic narratives of gods and Old Testament patriarchs on an intimate scale; and Pieter van Laer (1599-1642), a Dutchman who incorporated the peasants and animals of the campagna into small genre scenes.
Rome 1600 advances Clare Robertson's investigations into the closing decades of the sixteenth century, which formed the bedrock of the author's seminal The Invention of Annibale Carracci (Milan: Silvana Editoriale, 2008).
John, in a Christie's catalog, which was wrongly attributed to Annibale Carracci. He also discusses his research on Holy Child, how attributions of old masters are made, the process of the discovery of other specific works of olost arto in the US, and the concept of oconnoisseurship.o Distributed by W.W.
Later, in the 16th and 17th centuries, the illusionistic frescoes, such as those by the Bolognese artist Annibale Carracci (1560-1609), created virtual open spaces in the interiors of palaces and churches.
A thrill of the exhibition was to see one of the most celebrated masterpieces of the early seventeenth century, the ceiling of the gallery painted primarily by Annibale Carracci, considered to be among the most inventive frescoes in the history of western art.
I thought of Annibale Carracci's fresco on the Farnese palace ceiling, which depicted Bacchus In a chariot.
Modern scholars have demonstrated the influence of Anguillara's Ovid on Annibale Carracci's Perseus and Andromeda (Dempsey 95) and Nicholas Poussin's The Realm of Flora (Worthen 579-85; Thomas 227-30).
Fue mas comun la representacion del santo de Asis al pie de la cruz, como en la Crucifixion con santos de Annibale Carracci en la iglesia de Santa Maria della Carita en Bolonia (38) pero el propio Carracci lo incluiria en escenas que representan el Descendimiento o la Piedad, como en la tela de la Galeria Nacional de Parma, destinada al altar mayor de la iglesia de los Capuchinos en dicha ciudad, bastante bien conocida para los historiografos del s.
Well-known artists include Michelangelo, E1 Greco, Raphael, Giorgio Vasari and Annibale Carracci. Half of the works have a religious theme, the other half display other artistic influences in Roman society of that era.
En este tipo de autorretratos, no solo el autor se muestra como un bicho que hay que ver, sino que, al asumir su pertenencia a un gremio, plasma en sus cuadros su condicion de artista en el preciso momento de pintar, tal como lo hace Catharina van Hemessen, Antonis Mor, Annibale Carracci [8], Judith Leyster, Artemisia Gentileschi [9], Juan O'Gorman, Andre Derain o Rene Magritte.
With a view onto the garden, the gallery at Palazzo Farnese--which housed select items from the famed collection of the family's marbles set against the luxurious fresco decoration by Annibale Carracci and his pupils--would have created conditions similar to those that Mercuriale, a Farnese client, had recommended in order for physical exercise to yield its full advantages.