antiphon

(redirected from Antiphonal psalmody)
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Related to Antiphonal psalmody: Jubilus, Antiphonal Singing

an·ti·phon

 (ăn′tə-fŏn′)
n.
1. A devotional composition sung responsively as part of a liturgy.
2.
a. A short liturgical text chanted or sung responsively preceding or following a psalm, psalm verse, or canticle.
b. Such a text formerly used as a response but now rendered independently.
3. A response; a reply: "It would be truer ... to see [conservation] as an antiphon to the modernization of the 1950s and 1960s" (Raphael Samuel).

[Late Latin antiphōna, sung responses; see anthem.]

antiphon

(ˈæntɪfən)
n
1. (Ecclesiastical Terms) a short passage, usually from the Bible, recited or sung as a response after certain parts of a liturgical service
2. (Ecclesiastical Terms) a psalm, hymn, etc, chanted or sung in alternate parts
3. any response or answer
[C15: from Late Latin antiphōna sung responses, from Late Greek, plural of antiphōnon (something) responsive, from antiphōnos, from anti- + phōnē sound]

an•ti•phon

(ˈæn təˌfɒn)

n.
1. a verse, prayer, or song to be chanted or sung in response.
2. a text recited or sung before or after some part of the liturgical service.
[1490–1500; < Medieval Latin antiphōna responsive singing < Greek, neuter pl. of antíphōnos sounding in answer]
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.antiphon - a verse or song to be chanted or sung in responseantiphon - a verse or song to be chanted or sung in response
church music, religious music - genre of music composed for performance as part of religious ceremonies
gradual - (Roman Catholic Church) an antiphon (usually from the Book of Psalms) immediately after the epistle at Mass
Translations

antiphon

[ˈæntɪfən] Nantífona f

antiphon

[ˈæntɪfən] n (Rel) → antifona
References in periodicals archive ?
For many music historians, the chief point of interest here is the reference to the singing of psalms by choirs in alternation, a practice which they identify, rightly or wrongly, with so-called antiphonal psalmody.
The relevance of the two sermons to the Augustinian passage is obvious: Niceta found it necessary to defend not a particular style such as antiphonal psalmody but the entire custom of psalmodic vigils, presumably a relative novelty.
50) Whether Paulinus, writing some 35 years after the fact, was accurate or not in his inclusion of antiphonal psalmody on that night in Milan (the chronology fits), this is not relevant to his endorsement of the central point that the psalmodic vigil was a new practice in the West at the time, and that it had since become universally observed.