Argumental

Ar`gu`men´tal


a.1.Of, pertaining to, or containing, argument; argumentative.
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The difference between true indirect object and less argumental uses shows up nicely in the next example from the short story "Ingredientes de arte," by Ricardo Garibay, where a movie producer is giving instructions to his scriptwriter (see also example [25b] above).
REINHART, 2000, 2002), em que a Estrutura Argumental desempenha papel crucial para a caracterizacao do tipo de verbo.
Also appearing is Jason Manford, team captain from Channel 4's 8 Out of 10 Cats, Chris Addison (Star of BAFTA award winning 'The Thick of It & Oscar-nominated In the Loop) as well as Rufus Hound, best known for being the Blue Team Captain on the TV series Argumental and for dressing up as Cheryl Cole and dancing to Fight For This Love for 2010's Let's Dance for Sport Relief.
A sell-out hit in both the UK and Ireland, he has appeared on TV in shows like Have I Got News For You, Argumental, Celebrity Juice and Amnesty International's Secret Policeman's Ball.
Now he is doing his best to keep order on TV comedy panel show Argumental, on the Dave channel - each week, team captains Rufus Hound and Marcus Brigstocke are joined by a celebrity guest and must take it in turns to argue about a subject.
A: There is one thing which I'm more excited about than anything, obviously other than Argumental, and that is a show called Hounded.
Some of the guests "looping" at the theatre will be Marcus Brigstocke, a comic regular on Radio 4, team captain on Dave's Argumental, host of BBC 4's Late Edition and guest host on Have I Got News For You; Joe Liss, one of LA's original loopers and frequent performer with comedy troupe Second City.
He argues that "[i]n some languages (like Chinese), NPs are argumental (names of kinds) and can thus occur freely without determiner in argument position" (Chierchia 1998a: 339).
Mas alla de que su impacto publico posterior fuera en buena medida mas opaco que en el caso de otras producciones de Booz (la obra no cuenta con una reedicion desde la original en comparacion con las varias ediciones de otras producciones de Mateo Booz como Santa Fe, mi pais o Aleluyas del Brigadier), esta ha sido positivamente valorada por la critica local por su condicion de ser la "primera novela que toma a Rosario como elemento argumental basico, [y por que] fue otro paso en direccion a la representacion concreta de la realidad por la produccion artistica" (D'Anna 1991, 48); y si bien la primera condicion es erronea,3 indudablemente la segunda no lo es.
Nalbone explica detalladamente la estructura narrativa y argumental de ocho novelas escritas entre las decadas de 1930 y 1980 que destacan por su caracter folletinesco, ya que en ellas imperan los sentimientos contradictorios en las relaciones de pareja, la lucha entre la pasion y la razon, el adulterio, la busqueda de la agencia femenina o la maternidad.
19) De nuevo podriamos llevar este "salir de la historia" al plano argumental por un lado, e interpretarlo como la dificultad que experimenta el personaje para liberarse de su relacion sentimental o incluso su falta de activismo social y politico.
A GDF considera tres macro-funcoes: (i) Ativo (Actor), quando a entidade designa um participante que apresenta um papel ativo, (ii) Inativo (Undergoer), quando a entidade designa um participante com papel passivo dentro do estado-de-coisas, e (iii) Locativo (Locative), quando um constituinte argumental tem a funcao de localizar o estado-de-coisas.