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References in classic literature ?
The skies they were ashen and sober; The leaves they were crisped and sere -- The leaves they were withering and sere; It was night in the lonesome October Of my most immemorial year: It was hard by the dim lake of Auber, In the misty mid region of Weir: -- It was down by the dank tarn of Auber, In the ghoul-haunted woodland of Weir.
Our talk had been serious and sober, But our thoughts they were palsied and sere -- Our memories were treacherous and sere; For we knew not the month was October, And we marked not the night of the year --(Ah, night of all nights in the year!) We noted not the dim lake of Auber,(Though once we had journeyed down here) We remembered not the dank tarn of Auber, Nor the ghoul-haunted woodland of Weir.
Well I know, now, this dim lake of Auber -- This misty mid region of Weir: -- Well I know, now, this dank tarn of Auber -- This ghoul-haunted woodland of Weir."
He all but discovered her in one of her adventures (down in Scotland), which reminds me of the story in Auber's charming opera--what is it called?
Debienne lived at the corner of the Rue Scribe and the Boulevard des Capucines; Poligny, in the Rue Auber. O.
The Auber chocolate is shaped "in a swath of circular mosaic tiles", while the Gare de Lyon edition is "formed by a pattern of hexagonal tiles".
Finally, in chapter 6, she examines Anna Pavlova's simultaneous appearances in ballet and film versions of Auber's nineteenth-century opera La Muette de Portici in order to reveal the influence of each performance on the other's production and reception history.
Careem in the UAE and more recently Auber have joined the call taxi service in the country.
One example will serve: It relates the fate of two horses named Almaviva and Figaro belonging to the composer Daniel Auber. One was eaten by the starving citizens of Paris during the 1871 siege, and the other only escaped this fate by being hidden away in a piano shop (325-326).
In contrast Les Rendezvous, created in 1933 to a haunting score by Daniel Auber, arranged by Constant Lambert, was as sweetly elegant as a stroll in the park on a summer afternoon.
Opening with Les Rendezvous, the dancers in brightly-coloured costumes criss-crossed the stage at speed to the music of Daniel Auber in a series of solos, pas de quatre and ensemble dances, as friends and acquaintances met joyfully in a park setting.