Bellay


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Bel·lay

 (bə-lā′, bĕ-lā′), Joachim du 1522?-1560.
French poet. A founder of a group of poets known as the Pléiade, he wrote sonnets, satires on literary conventions, and a manifesto of the group's poetic principles.

Bellay

(French bɛlɛ)
n
(Biography) Joachim du (ʒɔaʃɛ̃ dy). 1522–60, French poet, a member of the Pléiade

Bel•lay

(bɛˈleɪ)

n.
Joachim du, c1525–60, French poet.
References in periodicals archive ?
The results were followed by passionate discussions, driven by industry-leading panelists: Ellen Dubois du Bellay, chief HR officer, Jumeirah Group; Assia Riccio-Smith, founder, Evolvin' Women; and Nuria Gonzalez-Martin, group head of HR, Sunset Group Hospitality.
Ellen Dubois du Bellay, chief executive officer of human resources at Jumeirah Group, said having women in the workplace introduces new sets of skills and brings in diversity.
Among her topics are thinking through the senses: Stevens and Valery (with echoes of Du Bellay and Proust); thinking-intuitive types: poetic affinities in W.
Joachim Du Bellay avait inaugure la voie: il publie son canzoniere, l'Olive, en 1549-1550, mais des son Recueil de Poesie (1553) il ecrit le poeme [beaucoup moins que] A une dame [beaucoup plus grand que] (qui deviendra [beaucoup moins que] Contre les petrarquistes [beaucoup plus grand que] dans les Divers jeux rustiques (1558), ou il affirme avoir [beaucoup moins que] oublie l'art de petrarquizer [beaucoup plus grand que] (4).
In a discussion of Du Bellay's Regrets, MacPhail notes that Du Bellay's proverbial style leads to possibly unique commonplaces, which "may represent a sort of phantom circulation of sayings that no one says." Of course, the oral can be difficult to reconstruct: it is one missing piece in MacPhail's humanist history.
In his 1558 collection of sonnets, Les Regrets, Joachim Du Bellay proposes to write a collection of poems that would be produced spontaneously and published in no particular order:
When du Bellay sat in the barber's chair in Rome and thought of cottages in France, his mind lingered less upon his hair than on the smoky plumes which used to dance above the tiles in that other world but now glowed a brittle pewter in his mind while pocked vistas of the Coliseum's curled arches assumed the richness of an orange rind.
The poet of Joachim du Bellay's Les Regrets et autres oeuvres poe-tiques displays an inordinate fondness for proverbs, which links him not only to the author of the Adagiorwn Chiliades but also to the speaker of the Encomium Moriae.
He looks at works by Du Bellay, Montaigne, Descartes, Vaugelas, Condillac, and Rivarol.