Bertolt Brecht

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Noun1.Bertolt Brecht - German dramatist and poet who developed a style of epic theater (1898-1956)
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C'est lui, comme tout le monde le sait, qui a adapte les grands monstres de l'ecriture theatrale, entre autres Moliere, Jules Romain et Berthold Brecht. En darija, il a adapte [beaucoup moins que]Le bourgeois gentilhomme[beaucoup plus grand que], [beaucoup moins que]Le Barbier de Seville[beaucoup plus grand que], [beaucoup moins que]Tartuffe[beaucoup plus grand que], [beaucoup moins que]Les fourberies de Scapin[beaucoup plus grand que], pour ne citer que ceux-la.
She has been universally praised for her interpretations of Berlin cabaret songs, the works of Kurt Weill and Berthold Brecht and the Chansons of Marlene Dietrich, Edith Piaf, Jacques Brel, Leo Ferre, Jacques Prevert, Nino Rota, Astor Piazzolla, her own compositions, as well as her portrayals in musicals and plays on Broadway, in Paris, Berlin and in London's West End.
I was doing some Jacques Brel and Berthold Brecht songs at the Edinburgh Fringe when I started with White.
De Berthold Brecht a Koltes, en passant par les grands classiques tels Moliere et Shakespeare, ainsi que les auteurs maghrebins, le barde Abderrahmane El-Majdoub, Allalou a Kaki, la [beaucoup moins que] Commedia Dell'arte [beaucoup plus grand que] ou en adaptant des textes de Gogol, Goldoni, Aziz Nesin et autres ecrivains, Alloula a puise dans le patrimoine local, maghrebin et universel, son but etant de parachever un nouveau theatre algerien a valeur universelle.
Playwright Berthold Brecht raises this haunting issue in 1939's Mother Courage and Her Children: What if instead of one cold and starving beggar, there were a hundred?
When the record deal ended in 1968, members Donny and Charles renamed the band Three Penny Opera (named after the Berthold Brecht play) and continued touring on their reputation as a tight, live band.
In some ways, the whole enterprise seems like a large-scale exercise in Berthold Brecht's alienation technique, with the audience deliberately held at bay and denied a fully emotional engagement with the music.
Composed in 1929, with a libretto by Berthold Brecht, the opera Aufstieg und Fall der Stadt Mahagonny numbers among Kurt most important works for the stage, though as Jurgen Schebera has remarked, it may also be considered "the great antithesis of traditional opera." Even as the work uses many of the trappings of opera--overture, bet canto arias, ensembles and chorus--it also employs jazz and cabaret tunes, some spoken dialogue, and eschews some of the narrative flow of traditional opera in favor of a sequence of twenty-one closed scenes.