Coen


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Coen

(kuːn)
n
(Biography) Jan Pieterszoon. 1587–1629, Dutch colonial administrator; governor general of the Dutch East Indies (1618–23, 1627–29)
References in periodicals archive ?
Coen rescues this liberal withdrawal into the private realm from anti-rationalist conclusions by examining how the Austrian Exner family reconciled rationality and uncertainty in public and private.
La nueva comedia de suspenso Burn After Reading esta escrita, producida y dirigida por los hermanos Joel y Ethan Coen.
Though Joel and Ethan Coen's many die-hard fans might say their win was nevertheless belated - it coming 24 years after their first film - their Texas crime film No Country for Old Men has generally been viewed as a culmination of craft for the brothers.
In this account, which approximates the momentary infinitude of experiencing a Coen brothers film, Levine exhibits a conscious lack of understanding of what he had seen--and yet, at the same time, he feels compelled to understand it.
Veral Buddy, as talentvolle dog finansieel sukkelende sangeres, en Coen as gebore sukkelaar, kom helder uit die verf.
"Coen's model can track smoke and hot gases in the atmosphere," says Anthony Vodacek, who heads RIT's Forest Fire Imaging Experimental System.
The call, the character, the surroundings are all utterly mundane yet hyperreal, as if from a '50s Technicolor melodrama--or a Coen brothers film.
Coen is driven by the desire to finish a job that has already seen them slay mighty Athenry and Waterford's Ballygunner.
At the beginning of the second half a second try from Craig looked to have sealed it for Orrell but with Newbury poised to exploit any laxity, Coen pulled back a penalty and as Orrell's discipline went into further decline, three penalties in quick succession run by the home side brought a try for Davies, converted by Coen.
The second half continued in similar vein, with Nuneaton's indiscipline being punished and Coen's reliable boot converting the points.
Films like the Coen brothers' The Man Who Wasn't There, David Lynch's Mulholland Drive and Michael Haneke's The Piano Teacher recycled old themes of weirdness, violence and despair, achieving little more than to remind us of vastly superior earlier works by the same directors.
"During construction alone, the total spillage of oil and petroleum products equaled 560,000 gallons," says Ross Coen of the Alaska Forum for Environmental Responsibility.