Compton-Burnett


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Compton-Burnett

(ˈkɒmptənbɜːˈnɛt; -ˈbɜːnɪt)
n
(Biography) Dame Ivy. 1884–1969, English novelist. Her novels include Men and Wives (1931) and Mother and Son (1955)
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Segun Pitol, "Compton-Burnett fue una acerrima sostenedora de los aspectos mas conservadores de la sociedad britanica, de su sistema de privilegios y de castas.
The accounts given by the headmaster of Kevin's popularity among students made me think of the great novelist Ivy Compton-Burnett, who once wrote: 'The wrong is never the only thing a wrong-doer has done.' (2) This is not, in any way, to exonerate the real-life Kevin Guy from the charges against him, but rather to draw attention to this wise film's refusal of easy black-and-white distinctions.
A Dame Ivy Roger-Billington B Dame Ivy Dennis-Hammerton C Dame Ivy Thomas-Brown D Dame Ivy Compton-Burnett 4.
Ivy Compton-Burnett; 4 Aurora; 5 Red; 6 Vibraphone; 7 Dashiell Hammett;
Compton-Burnett and of two articles on Samuel Beckett.
On both counts, I suspect, she was correct, and despite her reputation as something of a pest, Manning earned the approbation of many discerning individuals, among them Walter Allen, Anthony Burgess, Ivy Compton-Burnett, Margaret Drabble, and Anthony Powell.
These chapters, along with strong contributions from Kevin McCarron (on Golding), Sara Crangle (on Compton-Burnett), Rod Mengham (on Spark), and Paul Magrs's (engaging recovery of Howard Spring and the culture of post-war Manchester) help to refocus critical attention and to reinvigorate discourse on a rich literary period, which is perhaps all one can expect of such edited collections.
Not at all inclined to borrow a book but feeling duty-bound to do so, the Queen selects an Ivy Compton-Burnett novel and later labors through it out of that same sense of duty.
James Compton-Burnett (1840-1901) (4) used homeopathic doses of the tuberculous sputum to treat 54 people, calling this medicine Bacillinum.
Young's novels within the context of works by Elizabeth Bowen, Ivy Compton-Burnett, Lettice Cooper, E.
In particular, increasing critical interest in complicating a map of modernism previously dominated by a monolithically masculine Joycean experimentalism has begun to draw more attention to the achievements of writers such as Rebecca West, Ivy Compton-Burnett and Bowen herself, whose writing occupies a hinterland between tradition and modernist experiment.
His readers encountered Sheridan and Shelley as often as Thomas Merton, Evelyn Waugh, and Ivy Compton-Burnett.