Couperin


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Cou·pe·rin

 (ko͞o-pə-răN′, ko͞op-răN′), François 1668-1733.
French composer who was court organist at Versailles under Louis XIV.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Couperin

(French kuprɛ̃)
n
(Biography) François (frɑ̃swa). 1668–1733, French composer, noted for his harpsichord suites and organ music
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Cou•pe•rin

(kupəˈrɛ̃)

n.
François, 1668–1733, French composer.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.Couperin - French composer of music for organ and a member of a family of distinguished organists (1668-1733)
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References in periodicals archive ?
Grainyte-Tyla's swift, light-fingered approach to Ravel's Le Tombeau de Couperin gave it the sense of something slipping through the fingers.
These are original compositions by Makrygiannakis, as well as transcriptions of pieces by French Baroque composer Francois Couperin, which constitute a soundscape, an aural mosaic of narrative nature with direct references to other genres of music but also to choreographies which Makrygiannakis provided the music for.
Each volume contains 16-20 pieces, mostly gleaned from the 20th century, although Couperin and Daquin make brief appearances in the early intermediate level.
A week earlier, June 3 ndash also in Klarisky hall ndash renowned French ensemble Les Folies Franccediloises will play French baroque music, hailing the 350th anniversary of composer Franccedilois Couperin quotLe Grandquot.
St Patrick's Deputy Organist, Caius Lee, will be joined by Leeds Cathedral Organist, David Pipe, and Cathedral Choral Scholar and Huddersfield University student Oliver Hatton in what is thought to be the only complete liturgical performance of Francois Couperin's 'Messe a l'usage des Paroisses' (Mass for use in Parish Churches) to mark this year's 350 th anniversary of the composer's birth.
Debussy often paid homage to his French musical forebears, including eighteenth-century composers Jean-Philippe Rameau and Francois Couperin, and from the nineteenth century, Frederic Chopin and Gabriel Faure.
Fibich stylised the movement as a reminiscence of the Baroque dance suite, and Tomas Visek plays it lucidly like Rameau's or Couperin's music.
But as we get to the end of the seventeenth century, we encounter in the 1690 Pieces d'orgue of Frangois Couperin a new development in the tradition.
Francois Couperin's L'Art de Toucher le Clavecin (1716-1717) is one of the most well-known music publications in the world for the harpsichord, a milestone in European music history, comparable to J.
33," Richard Georg Strauss's "Dance Suite after Couperin," and Niccolo Paganini's "Variations on a Theme from Rossini's Mos."
The concerto was paired with Ravel's Le Tombeau de Couperin, given a warm, sweet-toned performance by the Phil under conductor Darrell Ang, a spot of take-it-orleave-it Hindemith, and Shostakovich's Ninth Symphony.