Daphnis and Chloe


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Daphnis and Chloe

n
(Classical Myth & Legend) two lovers in pastoral literature, esp in a prose idyll attributed to the Greek writer Longus
References in classic literature ?
To me it seemed absolutely Arcadian, and I thought of Daphnis and Chloe and the early world.
I wish I could have been present unseen in that enchanted garden while you wandered hand in hand, like Daphnis and Chloe, amid the flowers.
The central element of the second book is Philetas' exposition on Eros before Daphnis and Chloe.
When he asked for a disc to try it out, I gave him the sound of Ravel's Daphnis and Chloe which greately impressed him.
The programme includes Copland Symphony No 3, Shostakovich Symphony No 10, Dvorak Cello Concerto with Lynn Harrell, soloist and Ravel Daphnis and Chloe Suites.
The Texas company has three other Tetley ballets in their repertory: Praeludium (1978), Daphnis and Chloe (1975), and Rite of Spring (1974).
BRB chief executive Christopher Barron said the tour, which sees performances of Sleeping Beauty, The Dream and Daphnis and Chloe in Kamakura, Tokyo, Osaka and Nagoya, is still set to go ahead.
The orchestra's final concert of the season started with something of a whimper but ended with a bang - in the rousing final dance of Ravel's Daphnis and Chloe Suite No.
Music director Gerard Schwarz conducts the Phil in a programme that includes Elgar's arrangement of Bach's Fantasia and Fugue in C Minor and Ravel's Daphnis and Chloe Suite Philharmonic Hall, 7.
As for the picture of Europa itself, many scholars have previously compared it with the preface of Longus, (27) but I should prefer to treat here the digressive aitia in Daphnis and Chloe, because just as Achilles Tatius has three ecphrases of mythological paintings in the first three of four blocks, Longus also contains three mythological narratives in the first three of four books.
Daphnis and Chloe returned in a new production designed by Martyn Bainbridge.
The diverse bill takes the audience from the glittering chandeliers and classical grandeur of Petipa's Paquita to the mirrored ball of Tywla Tharp's tribute to ballroom and Sinatra, and finally to a revival of Ashton's Daphnis and Chloe bathed in the light and colours of the Mediterranean.