Der Blaue Reiter


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Der Blaue Reiter

“The Blue Rider” (c. 1911–14) A loose-knit group of expressionist painters including Kandinsky, Klee, and Marc, united by Kandinsky’s dictum that “the creative spirit is hidden within matter.”
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He became aware of modern French art and of two avant-garde German Expressionist groups, Die Brucke and Der Blaue Reiter, but seems to have learnt more at this stage from Van Gogh.
Curators put together insightful exhibitions focusing on key artworks from the 19th century, including pieces from The New Objectivity movement (a style of Expressionism developed in Germany in the 1920s), and works by artists from the acclaimed Der Blaue Reiter group of the 1910s, as well as historical artworks, and showcases contemporary art by international artists to encourage a dynamic dialogue between the past and the present.
In creating this wordless picture book, Geraldo Valerio was inspired by the German Expressionist group known as Der Blaue Reiter (the Blue Rider), which was formed in 1911.
De son cote, l'artiste peintre Chama Attar a aborde ensuite le constat et l'etude des productions particulieres de ces artistes defunts, en evoquant comment ils rejoignaient, sans le savoir, d'autres recherches et courants de peinture a travers le monde, nuancant les ecoles de l'expressionnisme allemand ( Die Br'cke [beaucoup moins que] le pont[beaucoup plus grand que] et Der Blaue Reiter [beaucoup moins que] le cavalier bleu[beaucoup plus grand que]) , et de conclure que leur productions n'avait rien de fermee sur le monde qui les entourait de loin, en observant les connexions artistiques et humaines qu'ils en degageaient.
Thus, the exhibition examines the reception of Cezanne, Gauguin, and Van Gogh, the Neo-Impressionists with Signac, the Fauves with Matisse and the Cubists with Picasso in relation to the German Expressionist artists of Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider).
In his essay "Das Verhaltnis zum Text"--written to appear in the almanac Der Blaue Reiter (ed.
When the Haus der Kunst staged the symbolic "Der Blaue Reiter" exhibition in 1949 and everyone was eager to flaunt their great devotion to the avant-garde, Gurlitt was among the official lenders.
From Matisse to "Der Blaue Reiter": Expressionism in Germany & France
Winning owner no mug The new April evening meeting didn't get the Norfolk public excited, as a crowd of fewer than 1,000 was the smallest many locals could remember, but largerthan-life owner Clive Washbourn certainly filled the room after Der Blaue Reiter made a winning debut in the two-year-old maiden.
It was sparked by the formation of 2 artist groups: one, called Die Brucke (The Bridge), beginning in 1905 in Dresden and the other, known as Der Blaue Reiter (The Blue Rider), in Munich.