Khalifa's novel, located in Aleppo at the time of the Muslim Brotherhood's uprising against the regime in the 1980s, is, according to Swiss News, "powerfully reminiscent of the tragedy that is taking place in the Middle East." Despite the fact that Khalifa, in an interview with Robert Worth, insisted, "he has no interest in social realism or didactic fiction
" and that "his own aims are purely aesthetic," not a single review on the novel's back cover or those mentioned here consider Khalifa's work as literature as such .
However, in didactic fiction
the story is simply the carrier of information.
The other three sections of this second chapter--"The Contrast of Strong Poison" (44), "The Importance of Being Alice" (47), and "A Note on Even the Parrot"--are, respectively and in brief, a connection of themes from Unpleasantness into the next Sayers' mystery, a discussion of Alice allusions in other of the mysteries, and a discussion of Sayers' didactic fiction
(compared by Leahy to Lewis Carroll's Sylvie and Bruno books).
can almost never be great fiction, and this novel loses power when Rev.
Later in life, More was to write much didactic fiction
, including tracts for the poor and the lower-middle classes, and a novel, Coelebs in Search of a Wife, for an audience of youngsters from society's upper ranks.
We now know that during those years she published more than fifty works of journalism and fiction in a range of authorial modes: risque sensation fiction signed "Edith Eaton" for the Daily Story Company, a syndication service that supplied short fiction to regional newspapers across the United States; Chinatown fiction in Out West, the Chautauquan, and Seattle's Westerner; didactic fiction
in conservative children's and women's magazines such as Good Housekeeping, the Housekeeper, Children's Magazine, Gentlewoman, and American Motherhood; more racialized (and racier) fiction in radical magazines such as the Bohemian; and middlebrow (white) women's fiction in People's Magazine and New England Magazine.
She helpfully distinguishes the "highly self-conscious" and generally didactic fiction
of Cardinal Newman and Orestes Brownson from the more "mature" Catholic works of the first half of the twentieth century, particularly in France and England.
Given that YA books compete against Facebook, television and a hundred other distractions, it's important to note that overly didactic fiction
will probably lose its reader in fewer than 20 pages.
Thus, Hardy concludes, Wells's increasingly didactic fiction
could reflect "the conflict between his belief in the effectiveness of the novel as an agent of social change, and his equally strong conviction that the fictional mode exemplified a 'lower' form of reasoning which precluded the logical presentation of general relationships and system [sic]" (140).