Feininger


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Fei·ning·er

 (fī′nĭng-ər), Lyonel Charles Adrian 1871-1956.
American-born artist who was influenced by cubism and the Bauhaus movement and developed a delicate geometric style with intersecting planes of translucent colors.

Feininger

(ˈfaɪnɪŋə)
n
(Biography) Lyonel. 1871–1956, US artist, who worked at the Bauhaus, noted for his use of superimposed translucent planes of colour

Fein•ing•er

(ˈfaɪ nɪŋ ər)

n.
Lyonel (Charles Adrian), 1871–1956, U.S. painter.
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2) includes Lyonel Feininger, Johannes Itten, Paul Klee, Wassily Kandinsky, Laszlo and Lucia Moholy-Nagy, and graduates Herbert Bayer, Marcel Breuer, Josef and Anni Albers --all working on the synthesis of painting, design, typography, weaving, graphics and architecture.
Teachers here were not called professors, but "masters." They included renowned artists such as Lyonel Feininger, Wassily Kandinsky, Gerhard Marcks and Paul Klee.
Three main geological units lie in the area of El Vapor district, (Fig 1): (i) San Lucas quartz-feldspathic gneisses (Gonzalez, 2001), which contains lenses of amphibolite and marble and are Proterozoic (Feininger et al., 1972); (ii) Segovia batholith of Jurassic age (160 [+ or -] 7 M.a., K/Ar in hornblende, Feininger et al., 1972), consists of a diorite with textural and compositional variations of quartz diorite and locally hornblende gabbro; and finally, (iii) Segovia sedimentary rocks in the west of Segovia mainly composed of black shales interbedded with siltstones, sandstones and intraformational conglomerates, which in the north of the area have been dated between the upper Aptian and the lower Albian (Feininger et al., 1972) based on macro-fauna dating.
Mies realizo tres montajes; dos de ellos, versiones diferentes sobre un mismo punto de vista, jugando con los trazos lineales del carbon, las manchas abstractas de las sombras proyectadas y las imagenes oscuras y opresivas de la ciudad para forzar la expresividad visual de la conica, colocando las paredes de cristal ligeramente anguladas unas respecto a otras para evitar la monotonia de las superficies de vidrio; obtuvo asi un efecto cristalino tremendamente seductor en reflejos, luces y sombras, que parecia influenciado del rayonismo de Mijail Larionov; el rascacielos recuerda tambien las prismaticas catedrales goticas de Lyonel Feininger elevandose sobre la ciudad (Figura 10).
If you are near railroad tracks and distracted by the eclipse, you are putting yourself in serious jeopardy, said Chip Feininger, Norfolk Southerns system safety coordinator.
El origen oceanico y la acrecion de las rocas volcanicas expuestas en la Cordillera Occidental colombiana se remonta a la decada del 70 (Case et al., 1971; Meissner et al, 1976; Toussaint y Restrepo, 1976; Barrero, 1979; Feininger et al., 1972).
Feininger, n.s., 17th Century Keyboard Music, 16 [New York: Garland, 1987]).
De hecho, en el ano 1948 el fotografo Andreas Feininger ya habia ofrecido una version temprana de esta analogia en un reportaje para la revista Life con el titulo "Man-made landscapes" (36) en el que las carreteras o las torres petroliferas de sus fotografias eran descritas como "un ancho rio hecho de piedra" o "un bosque hecho por el hombre" (Fig.
In a brightly lit rear gallery, amid images of snapshots whose surface reflections made the pictures all but illegible, stood another column, this one composed of Andreas Feininger's 1961 Total Picture Control, the cover of which features the author's iconic black-and-white portrait, titled The Photojournalist, that helped define the look of Life magazine a decade earlier.
(21) Die Aktion provided a forum for authors like Georg Heym, Heinrich Mann, Gottfried Benn, Oskar Kanehl, and Erwin Piscator as well as painters and graphic artists like Ernst Ludwig Kirchner, Lyonel Feininger, Oskar Kokoschka, and George Grosz.
Spiegelman identifies seven strips that he finds both aesthetically significant and socio-politically resonant: Lyonel Feininger's The Kin-der-Kids, Richard Outcault's Hogan's Alley, Gustave Verbeek's The Upside Downs of Little Lady Lovekins and Old Man Muffaroo, Rudolph Dirks's The Katzenjammer Kids, Frederick Burr Opper's Happy Hooligan, Winsor McCay's Little Nemo in Slumberland, and George McManus's Bringing Up Father.
Affected by visits to the local Pasadena Art Museum (now Norton Simon Museum), Bacerra admitted to admiration of Dutch graphic artist, M C Escher; and painters Alexej Jawlensky, Vasily Kandinsky, Paul Klee and Lyonel Feininger who exhibited cubist trends and the geometric patterns that infused early Modernism.