flugelhorn

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flu·gel·horn

or flue·gel·horn  (flo͞o′gəl-hôrn′) or flü·gel·horn (flü′-)
n.
A bugle with valves, similar to the cornet but having a wider bore.

[German Flügelhorn : Flügel, flank (from its use to summon flanks during a battle) (from Middle High German vlügel, wing, flank; see pleu- in Indo-European roots) + Horn, horn (from Middle High German, from Old High German; see ker- in Indo-European roots).]

flu′gel·horn′ist n.

flugelhorn

(ˈfluːɡəlˌhɔːn)
n
(Instruments) a type of valved brass instrument consisting of a tube of conical bore with a cup-shaped mouthpiece, used esp in brass bands. It is a transposing instrument in B flat or C, and has the same range as the cornet in B flat
[German Flügelhorn, from Flügel wing + Horn horn]

flu•gel•horn

or flü•gel•horn or flue•gel•horn

(ˈflu gəlˌhɔrn)
n.
a brass wind instrument with three valves, usu. pitched in B flat and used esp. in military bands.
[1850–55; < German, =Flügel wing + Horn horn]
flu′gel•horn`ist, n.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.flugelhorn - a brass instrument resembling a cornet but with a wider boreflugelhorn - a brass instrument resembling a cornet but with a wider bore
brass instrument, brass - a wind instrument that consists of a brass tube (usually of variable length) that is blown by means of a cup-shaped or funnel-shaped mouthpiece
Translations
flyygelitorvi
szárnykürt
References in periodicals archive ?
We also drafted in Steve Trigg (trumpet/ flugle horn), Jason Reynolds (saxophone), Lousie Babbins (vocals) and Christian Nokes (bass).
A master ensemble of global musicians including Clint Eastwood's son Kyle Eastwood on bass, the legendary Dave Koz on saxophone, Jonathan Butler on guitar, the magnificent Patti Austin on vocals, Maceo Parker, formerly James Brown's saxophone player, on sax, 6-year-old Cape Town percussion prodigy Daniel Peterson on drums and the amazing Hugh Masekela on Flugle & Trumpet performed an array of hits including "Fire & Rain," "I'll Take You There," "Let's Stay Together" and many more.
Critica, pues, la forma como en estos autores, en especial Kienery Flugel, se trata el tema (aunque en Flugle reconoce su interes y el valor metodologico que le permite llevar el vestido mas al nivel de la comunicacion que de la expresion [12]), pues se presenta como reducido, conforme a sus expectativas simbolicas (recordemos criterio estructural inicial).