Fyodor Dostoevsky


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The second section examines specific works and the life and works of authors: Alexander Pushkin, Mikhail Lermontov, Nikolai Gogol, Ivan Turgenev, Fyodor Dostoevsky, Lev Tolstoy, The Cherry Orchard by Anton Chekhov, and the Russian composers known as the Five.
Self-professed Fyodor Dostoevsky scholars Janko Tipsarevic and Alla Kudryavtseva were left pondering that question from the great man after losing in the fourth round.
WORCESTER/CLINTON - Fyodor Dostoevsky's "Brothers Karamazov" will be thriving in academia, thanks to the recent collaboration between the College of the Holy Cross and Clinton's Museum of Russian Icons.
Charles Dickens (1812-70) and Fyodor Dostoevsky (1821-81) have been seen together in critical studies so often that people are starting to talk.
Willa Bauman, a 10th-grade home-schooled student, won first place for ``Elegy for Fyodor Dostoevsky.''
With helmer Sergei Solovyev's adaptation of Leo Tolstoy's "Anna Karenina" due later in the season on Channel One, as well as Mikhail Lermontov's "Hero of Our Time" and a double dose of Fyodor Dostoevsky with "The Brothers Karamazov" and "The Devils" in the works, 2006 looks like the year in which Russian auds will be heavily sated with screen adaptations of their classic fiction heritage.
THE ABOVE QUOTE, commonly attributed to Fyodor Dostoevsky, not only was never written by him (see a lengthy examination on the Secular Web at www.
Maximos the Confessor, Eastern views of nature in Fyodor Dostoevsky and St.
of California-San Diego) has not aspired to produce a systematic study of Russian writer Fyodor Dostoevsky's (18821-81) fiction focusing on its religious content, nor of his nonfiction where he supposedly speaks in his own voice.
From there, Brand became a founding member of the Round Table Review in Gotham, where she also directed several works including a stage adaptation of Fyodor Dostoevsky's novel, "The Idiot."
NEW YORK A Metropolitan Opera presentation of the opera in two acts with music and libretto by Sergei Prokofiev, based on the novella by Fyodor Dostoevsky. Conductor, Valery Gergiev.
Considering in turn Honore de Balzac (1977-1850), Fyodor Dostoevsky (1821-81), Emile Zola (1840-1902), he discusses such topics as the notion of literary value, La Torpille: experiments in narrative value, the novel as propectus, and Zola as promoter of story and book.