Collectively, the authors do good work situating Holt and his music among his British colleagues (Peter Maxwell Davies, Harrison Birtwistle, et al.) as well as other twentieth- and twenty-first-century composers, including Olivier Messiaen (an early influence on Holt), Alban Berg, Gyorgy Ligeti
, and Iannis Xenakis.
This object hums and buzzes with the agitated spiritual strains of Gyorgy Ligeti
It's called Poeme Symphonique, by controversial Hungarian composer Gyorgy Ligeti
, whose music was used by Stanley Kubrick in 2001: A Space Odyssey.
That's in part due to the arrangement and Elliott's orchestration, which not only incorporates some of Berg's tonal architecture, but also pays homage to other favourite Hannigan composers including Gustav Mahler, Kurt Weill, Gyorgy Ligeti
and Canada's Claude Vivier.
Sie ist Solohornistin der Bamberger Symphoniker und des Radio-Sinfonie-Orchesters Frankfurt gewesen und spielte die Urauffuhrung des eigens fur sie von Gyorgy Ligeti
komponierten Hamburgisches Konzert.
She has collaborated with and performed the works (often the world premieres) of composers such as Georges Aperghis, Bent Sorensen, Helmut Oehring, Mark-Anthony Turnage, Gyorgy Ligeti
, Karlheinz Stockhausen, Beat Furrer, Harrison Birtwistle and Peter Maxwell-Davies.
The first piece will be a premiere for the ensemble: "Concert Romnesc," composed in 1951 by Hungarian composer Gyorgy Ligeti
, has never been performed by the Oregon Mozart Players, and Kuo said he likes to "mix it up a bit, rather than play the same old, same old every season."
In addition to works by Gyorgy Ligeti
, Iannis Xenakis and others, the programme of the festival's third edition included two world premieres of contemporary Czech operas: Petr Kotik's William William, and Petr Cigler's Protracted Sinuous Movement of a Longitudinal Object.
Bartsch cites Stravinsky as an influence as well as Gyorgy Ligeti
, whose 1968 "Continuum for Harpsichord" inspired the title for this 11th album from Bartsch.
, however, saw his Le grand macabre (1978) as 'anti-anti-opera', and audiences still wanted opera.
She understands Kubrick's films as complex aesthetic objects, hypertexts where, in addition to the "primary" source text, much of each film's ostensible meaning emerges from juxtaposed quotations that re-purpose other, "secondary" texts, from Hindu scripture to Triumph of the Will to the avant-garde compositions of Gyorgy Ligeti
. However, the book's approach is more formalist and narratological than historicist; what it does not offer, but instead calls for, is an analysis of "the history of cinema" "from the perspective of adaptation studies" (153).
The Transylvanian Gyorgy Ligeti
's work for string orchestra, Ramifications, preceded the Sibelius.