Harmonic interval

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(Mus.) the distance between two notes of a chord, or two consonant notes.

See also: Harmonic

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allegretto andante-allegretto Texture melodic/ melodic melodic harmonic Interval step-wise step-wise step-wise Accent 1-2-3-4 2 & 4 "2+2" (1 & 3; 2 & 4) Stroke long-long; long-long long-short long-short Emotion continuity; backbeat rocking; backbeat rocking Body Mvt.
Eight different call characteristics were recorded: call duration, dominant frequency, dominant frequency at the beginning of the note, dominant frequency at the end of the note, harmonic interval, number of pulses per note, pulse rate (pulses per second) and call repetition rate (calls/minute).
The ratios of the first four numbers (1-2-3-4) constitute the four perfect harmonic intervals (1/1, 1/2, 2/3, 3/4).
The quartet is named after the sacred Tetraktys -- the groundwork of Pythagoras' teaching, wherein he first mentions the existence of harmonic intervals in music through the theory of the 'sacred decad.
For extension exercises the interest is given by the execution of concomitant sound structure that imposes the simultaneously pressing of two keys creating harmonic intervals of different sizes (thirds, fifths, eighths) or others structures covering several keys in order to form musical cords (three to five tones).
o] from the drone melody and all of its harmonic intervals, n = 2, 3, 4, 5 .
Left-hand accompaniments feature harmonic intervals that range from thirds to sevenths, with only a few three-note chords; the connections between chords generally require minimal changes in hand positions.
That is the verdict of the boffins who say that its sustaining rhythm, the harmonic intervals, the absence of a repeated melody and the use of "whooshing sounds and hums" all combine to make the perfect aural narcoleptic.
With premises this loose, one might argue that Brazilian Neoconcrete painting is prefigured by Raphael's harmonic intervals and Friedrich Froebel's nineteenth-century "geometric" kindergarten.
He is credited with first discovering "the arithmetical relationships between harmonic intervals," the mathematical relationships--the logoi--"that inhere in the very structure of sound.
The door for a music collection was adorned with piano wires that wove in and our of the surface at harmonic intervals.
The sound of the music though based on harmonic intervals existing in nature-is unusual, even challenging, to the Western ear.