Hieronymus Bosch

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Noun1.Hieronymus Bosch - Dutch painter (1450-1516)
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References in periodicals archive ?
Some lighthearted images are reminiscent of the moralizing paintings of Dutch artists Pieter Bruegel and Hieronymous Bosch. Bruegel's conscientiously ridiculous painting Netherlandish Proverbs seems to have a modern equivalent in Weidenaar's It Was A Terrible Day, which included more than 200 individuals in some sort of vice, save for the artist himself, who, bewildered and nonplussed, is seen in the foreground with a sketchbook in his pocket and a duck in his knapsack, confusedly meandering into the cacophonic melee.
Aramaki thus turns Hieronymous Bosch's early-Renaissance triptych The Garden of Earthly Delights--itself a meditation on creation, good and evil, and sin--into a literal Garden of Eden planet where "life" and "death" are meaningless terms and dissolution-and-rebirth the very essence.
Someone, maybe Hieronymous Bosch, breaks the aquarium of love.
While most of the studies look to England, there is one essay on Ireland, and two continental discussions looking at works by Michelangelo and Hieronymous Bosch (though these latter two sit somewhat uneasily within the general frame of the collection, which is not to criticise Suzanne Verderber's skilled discussion of Bosch's difficult iconography).
With stylistic references to the tortured visions of the 15th-century Dutch painter Hieronymous Bosch, Bodo has produced works like The River of Delight.
The illustrations contain references to Hieronymous Bosch and other nightmarish art experiences, but the slow transforming of Joe's anxiety and doubt is the central experience of "What If...?" which is recommended for children age 4-5 and up.
10 In art, Hieronymous Bosch painted The Garden of Earthly what?
Black Friday in Cardiff is a more terrifying evocation of Doomsday than anything Hieronymous Bosch ever painted.
At the time of writing, Satterwhite has written and performed scores for Clifford Owens's much discussed "Anthology" (2011) at MoMA PS1, completed a residence at Headlands Center for Arts, and is preparing to open a group exhibition at DC Moore as well as a two-person show at Monya Rowe elaborately entitled Jacolby Satterwhite & Devin Troy Strother at the Hieronymous Bosch & Beyonce Giselle Knowles Carter Foundation.
The busy compositions all present 'Christ chasing the moneylenders from the temple' and reuse popular iconography influenced by the famous painters Hieronymous Bosch (1450-1516) and Pieter Bruegel the Elder (1526/30-1569).
Max Ernst's bird-headed surrealist figures of the 1920s were probably an inspiration for such works, but he was equally aware of a tradition of artistic metamorphosis stretching back from 19th-century satirists to Hieronymous Bosch, in particular the bird-men in Bosch's The Garden of Earthly Delights (1503-04; Museo del Prado, Madrid).
His linear approach to the visual corpus of Pilatian imagery centers on the quest to understand how and why the figure of Pilate changed through the centuries, commencing with the middle of the fourth century and concluding as late as the sixteenth century with an outlying image by Hieronymous Bosch, although the study focuses on the period before 1500.