Historical painting

(redirected from History painting)
Also found in: Encyclopedia, Wikipedia.
that branch of painting which represents the events of history.

See also: historic

Webster's Revised Unabridged Dictionary, published 1913 by G. & C. Merriam Co.
Mentioned in ?
References in periodicals archive ?
A second type of academic history painting finds a place here too.
Jean-Leon Gerfme and the Crisis of History Painting in the 1850s
As representations of figures transformed into monsters of love, the Shrinebeasts utilize bathos, heroic history painting, and the visual language of romanticism as guidance to engineer a reality that reexamines a previous time through alternate reality.
In an interview with Tim Marlow about his exhibition The Sleep of Reason, Quinn explains why he finds 'history painting' interesting.
His history painting, inspired by Byzantium and the Bible, is also Orientalist in style.
Meanwhile, fellow Romantic landscape painter Joseph Mallord William Turner, 1775-1851, renowned for working wonders in capturing light in his landscapes and seascapes, is credited with promoting the genre to the level of the then much lauded history painting.
who takes pleasure in exploring the relationship of opposites, engages with Turner's history paintings and seascapes to discover the artist's notions and visual treatment of the genre of history painting, with regard to both past and contemporary painting traditions.
'Henry Ossawa Tanner: Modern Spirit' celebrates Tanner as an innovative painter of Biblical subjects, whose art bridges the 19th-century paradigm of history painting and the 20th-century paradigm of personalized symbolist art.
He initiated the great tradition of epic history painting, which would inspire generations of later artists including Rubens and Velasquez, who both saw Diana and Actaeon displayed at the Spanish Court.
online Daily blog at liver ldpartsblog He initiated the great tradition of epic history painting, which would inspire generations of later artists including Rubens and Velasquez, who both saw Diana and Actaeon displayed at the Spanish Court.
I later rejected that idea because then it would be a conceptual art piece about protocol rather than a political history painting about the unresolved crime and ongoing issues.

Full browser ?