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1. Having no name.
2. Anonymous.

[Late Latin innōminātus : Latin in-, not; see in-1 + Latin nōminātus, past participle of nōmināre, to name; see nominate.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.


1. having no name; nameless
2. a less common word for anonymous
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014


(ɪˈnɒm ə nɪt)

having no name; nameless; anonymous.
[1630–40; < Late Latin innōminātus unnamed. See in-3, nominate]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
References in periodicals archive ?
In chapter 3, Paxton distinguishes between the "sadistic aesthetic" of "conventional Tractarian bridalism" and the "masochistic aesthetic" found in Christina Rossetti's "counter-Tractarian writing of nuptial deferral," including "The Prince's Progress" (1868), "Monna Innominata" (1881), and the 1893 collection Verses (pp.
The neuropathology of PD, however, remained unknown, till Fritz Heinrich Lewy, (4) who studied the neuropathology of PD at Munich University, described eosinophilic intracytoplasmic inclusions in the dorsal vagal nuclei and substantia innominata of PD brains in 1912.
Also performing will be the Tees Valley Youth Choir and the Innominata String Quartet.
Chapter 5 examines Mary Robinson's Sappho and Phaon (1796), Elizabeth Cobbold's 'Sonnets of Laura' (1825), Elizabeth Barrett Browning's Sonnets from the Portuguese (1850) and Christina Rossetti's Monna Innominata (1881).
Sensata Veritas: L'affiorare dell'anatomia patologica, ancora innominata, in scritti di anatomisti del '500.
Rossetti's multiple experiments with the sonnet in Monna Innominata and "In an Artist's Studio," for example, completely re-evaluate masculine presentations of the feminine, often playfully (and sometimes painfully) imagining a muse-figure that responds through the speaker's voice to a specifically patriarchal culture of idealized feminine presence.
(5) We have extracted here the ninth part of Monna Innominata, her "sonnet of sonnets" (removing the accompanying quotations from Dante and Petrarch).
A more discursive, expository treatment of love requires the expansiveness of a sonnet sequence: Elizabeth Barrett Browning's Sonnets from the Portuguese, Christina Rossetti's Monna Innominata, Dante Gabriel Rossetti's The House of Life, and, most importantly, George Meredith's Modern Love.
Gymnocodiacean and udoteacean algae and non-keeled planktonic foraminifers are also common in this interval, whereas calcisphaerulids show a specific diversification (Calcisphaerula innominata, Pithonella ovalis, and Stomiosphaera sphaerica).
For Rossetti even the most attractive Hebrew figure such as Esther, who appears in the sonnet sequence "Monna Innominata" must finally be found lacking.