tradition, to a poetic intimism
, a culture of the ephemeral...
In so far as the most interesting poems, short stories and novels are usually produced by beginners and novices (Tadeusz Borowski, Tadeusz Rozewicz, Stanislaw Lem, also Leopold Buczkowski, who did not publish any book before the war and, thus, can be treated as a beginner), in the intimism
, we can hear the voice of authors representing the older generation, also enjoying recognition--apart from Buczkowski--in the interwar period.
Exactly for these reasons, I think it is totally absurd to talk about psychologism (however clad with lyricism and intimism
) in the case of Antonioni's films.
She adopted a version of 'Intimism
', in which a single figure generally dominates the composition.
PETER KOLSEK'S BRIEF INTRODUCTION to Ten Slovenian Poets of the Nineties gives the historical context in which these seven men and three women writers--born between 1963 and 1973--grew up and began to write, and in short biographical sketches he links each to literary and philosophical styles like "intimism
" (turning away from public, especially political concerns, as writers had done earlier) and "pansemantic" poetry, the definition or even description of which is not given.
Schuyler is important for his extension of the "I do this I do that" mode in the direction of Intimism
, his shrewd ear (the best of all poets of the New York School), and the precision of his observations.
In aiming for nothing less than the representation of life,(51) Tarkovsky managed to reconcile visual historicity, the psychological dimension, intimism
and panorama in a lyricism peculiar to his work.
For all its investment in media technology, "Intimism
," the first survey to home in on Frances Stark's digitally based work, was at its heart a writerly exhibition.
Probably Crepuscolarismo will leave a trace, for example of intimism
, that will not perhaps die; (2) but the love for the crackling objects of the futurists will install itself in our little human hearts forever.
While contextualizing Gray's production in relation to the fin-de-siecle Aesthetic Movement, and in particular its Japonisme, this exhibition design also had the advantage of suggesting the slippages between intimism
and fetishism, between aristocratic detachment and commercial fantasy, that infused Gray's oeuvre.
The perfect wedding of romantic intimism
and sesquipedalian egotism: in short, the essence of the myth of the artist.
Howard Hodgkin once called a painting After Vuillard; the title sums up much of what some admire about his work as well as what leaves others so indifferent: the echoes of Ecole de Paris intimism
and an Epicurean redeployment of stylistic features abstracted not just from Vuillard but also from Bonnard and Matisse.