kabuki

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Related to Kabuki play: Kabuki Theatre

Ka·bu·ki

 (kə-bo͞o′kē)
n.
A type of popular Japanese drama, evolved from the older Noh theater, in which elaborately costumed performers, nowadays men only, use stylized movements, dances, and songs in order to enact tragedies and comedies.

[Japanese, art of singing and dancing : ka, singing (from Middle Chinese ka; also the source of Mandarin) + bu, dancing; see buto + ki, art, artist (from Middle Chinese kɦi`; also the source of Mandarin).]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

kabuki

(kæˈbuːkɪ)
n
(Theatre) a form of Japanese drama based on popular legends and characterized by elaborate costumes, stylized acting, and the use of male actors for all roles. See also No1
[Japanese, from ka singing + bu dancing + ki art]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

ka•bu•ki

(kəˈbu ki, ˈkɑ buˌki)

n.
a popular drama of Japan characterized by elaborate costuming, stylized acting, and the performance of all roles by male actors. Compare Nō.
[1895–1900; < Japanese]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.

kabuki

1. A Japanese word meaning singing dancing art, used to mean a type of traditional Japanese drama.
2. Highly stylized traditional Japanese theater with music and dance.
Dictionary of Unfamiliar Words by Diagram Group Copyright © 2008 by Diagram Visual Information Limited
Translations
KabukiKabukitheater
歌舞伎
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References in periodicals archive ?
The spectacular rise and fall of Carlos Ghosn, "Le Cost Killer" who saved Nissan after 1999 and built a powerful partnership of the Japanese carmaker, its big French shareholder, Renault, and Japan's Mitsubishi Motors, resembles a Kabuki play, with the Japanese powers-that-be asserting themselves in the end.
Some apply so much that they look like actors in a Kabuki play. But not that many know just how much damage the sun can do to your eyes.
The stylized fighting may be a bit peculiar, to Westerners as well; Western plays must represent realism, whereas Japanese plays present a spectacle, and there is no pretense in a jidaimono historical Kabuki play that this is real.
Kinoshita Keisuke's Filmic Interpretation of a 1825 Kabuki Play"] (Master's Thesis, Humboldt University Berlin, 2002), 43-4, accessed December 1, 2013, http://www.asaf.hu-berlin.de/seminar-fuer-ostasien-studien/japan/studium/ ausgewaehlte-arbeiten/yotsuya.pdf.
Whoever is scripting and directing this Kabuki play, there's nothing holy or scholarly about the religious scholar's mission.
(6) Bakin's The Legend of Eight Dogs has been resurrected in the form of numerous novel adaptations, several manga adaptations, two movies (including one by Kinji Fukasaku in 1983), an original video animation (OVA)by Pioneer 1993-1995, a very popular puppet drama that played on NHK from 1973-75, a kabuki play, and several other forms.
"It's a little bit of a kabuki play," Alden Meyer, director of strategy and policy for the Union of Concerned Scientists, said.
The Theatre of a Two-Headed Calf's punk adaptation of an 18th-century Kabuki play, Chikamatsu's The Drum of the Waves of Horikawa, has its New York premiere Oct.
Othello's Passion: A Kabuki Play Presented by the Illinois State University School of Theatre at the Center for the Performing Arts Theatre, Normal, Illinois.
Mitani has written a Kabuki play, "Ketto Takadanobaba," that opens this month in Tokyo's trendy Parco Theater, starring Somegoro Ichikawa.
Part of the problem is summit-hopping itself: one often finds white, middle-class activists and labor union leadership swooping into town for the action, then departing, with the local community serving as a mere stage for the Kabuki play of protest and repression.
There is a painting of a scene in another Kabuki play in which his ghost comes back to Okuni, approaching the stage from the auditorium--quite an effective method of production, inviting the emotional involvement of the audience.