Lascaux Cave


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Las•caux′ Cave′

(læˈskoʊ)
n.
a cave in Lascaux, France, discovered in 1940 and containing exceptionally fine Paleolithic wall paintings and engravings thought to date to Magdalenian times (c13,000–8500 b.c.).
References in periodicals archive ?
A replica of a painting in the Lascaux cave The courses may be a tough ask for an occasional player like myself, but the views you get across them help you keep a level head - even when you're about to launch your club into the lake after a miss-hit putt!
A replica of a wall painting in the Lascaux cave The courses may be a tough ask for an occasional player like myself, but the views you get across them help you keep a level head - even when you're about to launch your club into the lake after a miss-hit putt!
Picture taken during a visit of the Lascaux Cave on July 25, 2008 near the village of Montignac, south Western France.
in France's Lascaux Cave, thought to be one of the earliest celestial maps; an Infinity Mirrored Room by Japanese artist Yayoi Kusama; and the "First Moon Flights" Club Card issued by Pan Am Airways in 1968.
A new facsimile of the Lascaux cave is about to open in Montignac.
The area has a long way to go before it can give the Lascaux cave in southern France a run for its money.
The topics include microbiology in the Mammoth Cave region, bacterial and arachaeal diversity on cave speleothem and rock surfaces: a carbonate cave case study from Karchner Caverns, predicting bacterial diversity in caves associated with sulfuric acid speleogenesis, the diversity and ecology of microbes associated with lampenflora in cave and karst settings, and Lascaux Cave as an example of fragile ecological balance in subterranean environments.
The entrance to the Unesco world heritage site Lascaux Cave, near Montignac in the Dordogne, was discovered by four local teenagers in 1940, and inside they found an astonishing array of Stone Age art on the walls.
In a similar vein, another painting depicting a bison also reminds us of the paintings found in the Lascaux cave, and it is another example of images losing their initial meanings on the way to reaching us.
Inspired by the tribal art collection at Paris's.Musee de l'Homme and the Lascaux cave paintings, the young Morellet experimented with bright colors, bold patterns, and stylized depictions of animals (serpents, birds, felines, ruminants) and humans.