Mannheim School


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Mannheim School

(ˈmænhaɪm)
n
(Classical Music) music a group of musicians and composers connected with the court orchestra at Mannheim during the mid-18th century, who evolved the controlled orchestral crescendo as well as a largely homophonic musical style
References in periodicals archive ?
Ever since this breakthrough edition, the Mannheim school, headed by J.
With the second half of the 18th century having remained his favourite field of research, when Lang came to deal with the Mannheim school he paid due attention to the "importations from Bohemia".
Cited by me and by like-minded scholars as an illustration of the Nazi state's capacity to intervene in and reshape the competitive environment of corporations, the Reichswerke has presented the Mannheim school with considerable interpretive problems.
One of the principal weaknesses of the Mannheim school is the formalism of its argumentation.
Johann Stamitz was influential in the Mannheim School, a group of 18th-century composers in Germany, and helped shape the form of the sonata, paving the way for Haydn's and Mozart's efforts in that genre.
CONCERTOS OF THE MANNHEIM SCHOOL (DG Eloquence): With Christmas carols coming at you from every quarter for weeks on end anyway, why not opt instead for some really stylish music to accompany your Christmas dining?
Furi is also one of several soloists in concertos by composers of the crack mid-18th century Mannheim school, centred on a phenomenal orchestra whose discipline, attack and wizardry had such an influence on Mozart in his early 20s.
The techniques of the Mannheim school, especially the orchestral "rocket" and "sigh," were perfect matches with this new style of dramatic ballet.
The Mannheim School as a "technical term" appeared in music history at the beginning of the 20th century and went on to become the focus of lively discussions and polemics that occupied music historians most intensely roughly up to the seventies, when the various different opinions and conflicts settled into a kind of compromise position.
In part one, for example, Rudolf Pecman begins his article on "The Mannheim School and Josef Myslivecek" by stating flatly that to his knowledge there are no connections between Mannhelm and Myslivecek; and of the eight articles on melodrama in part two, only one, Joachim Veit's fine study of Georg Joseph Vogler's Lampedo of 1779, actually concerns itself with Mannheim - and that mainly because Vogler was a Mannheimer; the work itself was written for the court at Darmstadt.
When John Newhill wrote that "the clarinet concerto as we know it today originated at Mannheim" ("The Contribution of the Mannheim School to Clarinet Literature," The Music Review 40 [1979]: 90), he referred to the coincidence of many disparate factors to make such an inception possible.
Contract award notice: catering to mannheim schools in cook & chill system.