Massys


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Massys

(Flemish ˈmasaɪs) ,

Matsys

or

Metsys

n
(Biography) Quentin (ˈkventin). 1466–1530, Flemish painter, based in Antwerp; noted for his portraits and scenes of everyday life
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1500-1510) del pintor flamenco Quentin Massys (39) o, dentro del ambito hispano-flamenco, en el Salvador de Pedro Berruguete (ca.
Williams discusses paintings by Giotto, Quinten Massys, Joos van Cleve, and Caravaggio; woodcuts by Lucas Cranach the Elder and Albrecht Durer; several illustrations in Books of Hours, statues, and altarpieces.
1) is a copy of a lost work by the Flemish painter Quentin Massys (also called Matsys or Metsys; 1465/6-1530).
245) menciona a El banquero y su esposa de Quentin Massys (c.
AI1 they miss out on by foregoing the Italian text, apart from a chance to practice their Italian reading skills, is its bright cover illustration reproduced from a well-known sixteenth-century painting by Quentin Massys of money changers at work.
In his volume Quentin Massys (sic), Friedlander notes a "cheerless gravity" that feels "carried over from church and chapel into the young art of genre painting" (7:24).
Some of the artists to look for are Martin Schongauer, Quentin Massys and Hieronymus Bosch.
6) Most interesting for our purposes is the Siena Portrait, recently discovered to be by an obscure Dutchman, Quentin Massys the Younger (see Figure 1.
The notion of an unified movement of scholars, writers, and artists is, in their view, partially valid only in the period thereafter, when Erasmus had portraits of his humanistic friends and himself by Durer and Massys in his study in Basel.
It is good to have the thirteen figures that are scattered throughout the text, but Sacks could have made the nature of Erasmian humanism clearer had he chosen the Hampton Court version of Erasmus's portrait from the diptych by Quentin Massys, rather than the Palazzo Barbarini ("Corsini") version, which lacks the inscriptions on the books and the script on the work Erasmus is shown writing (25).
The Flemish Primitives included some figures we did not have room to discuss here-painters such as Dirk Bouts and Hugo van der Goes, and later innovators such as Quentin Massys (who incorporated a more fluid, Italianate manner into the style).