Uccello

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Uc·cel·lo

 (o͞o-chĕl′lō), Paolo Originally Paolo di Dono. 1397-1475.
Italian painter of the Florentine school known for his experimentation with perspective. His works include The Battle of San Romano (c. 1456).
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Uccello

(Italian utˈtʃɛllo)
n
(Biography) Paolo (ˈpaːolo). 1397–1475, Florentine painter noted esp for three paintings of The Battle of San Romano, 1432 (1456–60)
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Uc•cel•lo

(uˈtʃɛl oʊ)

n.
Paolo (Paolo di Dono), 1397–1475, Italian painter.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
References in periodicals archive ?
It was designed and decorated by the artist Paolo Uccello in 1443.
One fresco from that church, Paolo Uccello's The Flood and Receding of the Waters (c.
Chapter 4 addresses the use of images of the Doubting Thomas in public contexts in Renaissance Tuscany, with particular reference to works by Paolo Uccello, Mariano del Buono, and Verrocchio, building on the scholarship of Andrew Butterfield and John Paoletti.
In the history of Western art, the first battle scene in a painting was done by Paolo Uccello during the Renaissance.
He also cites painters from the 15th century master Paolo Uccello (renowned for his command of perspective) to the 20th century's Wayne Thiebaud and Giorgio Morandi (known for their deceptively matter-of-fact still-lifes) and the 20th century French philosopher Gilles Deleuze, who wrote that "in the theatre of repetition, we experience pure forces, dynamic lines in space ..." Harrow also refers to knot theory, in which number 107 of 165 knots involves 10 crossings.
They incorporate an illusion taken from a 1425 drawing by Paolo Uccello (1397-1475).
However, the solid, spare forms of the landscape elements and the artist's interest in showing the horses from unusual angles might remind the viewer of later innovators like Paolo Uccello and Piero della Francesca.
Nakayama's work was influenced by Italian artist Paolo Uccello and Persian miniatures that he saw during his travels to Europe way back in the 1960s.
Once again, however, Rosen's argument that Guston's Deluge II, 1975, makes direct--albeit subversive--reference to Paolo Uccello's The Great Flood, and his Green Rug, 1976, to Piero della Francesca's The Flagellation, though partially justifiable on visual grounds, may seem somewhat laboured.