Parnassian


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Related to Parnassian: Parnassien

Par·nas·si·an

 (pär-năs′ē-ən)
n.
A member of a school of late 19th-century French poets whose work is characterized by detachment and emphasis on metrical form.
adj.
1. Of or relating to Parnassus.
2. Of or relating to poetry.

[French parnassien, after Le Parnasse contemporain ("The Contemporary Parnassus"), the group's first anthology of poetry (1866), after ParnasseParnassus (considered sacred to Apollo and the Muses), from Latin Parnassus, from Greek Parnāsos. Adj., from Latin Parnassius, of Parnassus, from Greek parnāsios, from Parnāsos.]

Parnassian

(pɑːˈnæsɪən)
adj
(Placename) of or relating to Mount Parnassus

Parnassian

(pɑːˈnæsɪən)
n
(Poetry) one of a school of French poets of the late 19th century who wrote verse that emphasized metrical form and restricted emotion
adj
(Poetry) of or relating to the Parnassians or their poetry
[C19: from French parnassien, from Parnasse Parnassus; from Le Parnasse contemporain, title of an anthology produced by these poets]
Parˈnassianˌism, Parˈnasˌsism n

Par•nas•si•an

(pɑrˈnæs i ən)

adj.
1. pertaining to Mount Parnassus.
2. pertaining to poetry.
3. pertaining to or noting a school of French poets of the late 19th century who emphasized form over emotion.
n.
4. a poet of the Parnassian school.
[1635–45; < Latin Parnassi(us) of Parnassus + -an1]
Par•nas′si•an•ism, Par•nas′sism, n.
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Swinburne's theorizing of rhyme as not only the end of the line but also its means was imported from Parnassian poetics.
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LAdC: I'm completely convinced there's no rupture between that cultural aspect with the Parnassian roots of my first stage and the hyperreal symbolism characterizing my second stage.
Both editors' ranges of dates allow them to include all of the settings of Victor Hugo's and Charles Baudelaire's poems, as well as those of the early Parnassian poets.
Most of the Parnassian marble seats are intact and date from Roman times.
3) While the dedication offers the reader clues about the poet's aesthetic and ideological formation, the choices of the art works also mark the cultural milieu in which Machado was operating, a milieu that included traces of the Parnassian and Decadent currents that had profoundly impacted European letters.
Readers will find here alert and fluent readings of the zutiste's resolutely antagonistic stance towards the auratic authority of Parnassian patriarchs; thoughtful comments on the appropriation of the (rather bourgeois) micro-cultural formation of the "cercle" (72-73) and the "album"; some fine contributions to readings of texts such as "Le Sonnet du trou du cul," and an especially suggestive account of a dizain parodying Coppee entitled "Le sous-chef est absent du bureau.
He has a reputation (often overstated) for difficulty--"every poem has to be read syllable by syllable ten times over," observed the nineteenth-century critic Jozef Tokarzewicz--and critics are still trying to decide if he was a tardy Neo-Classicist, a post-Romantic, a Parnassian pre-Symbolist, or a precocious modernist.
She argues that their writing is best understood as propaganda, literature as a means to an end; thus she does not discuss the great body of work produced by miners who had more Parnassian aspirations, to use Brian Maidment's valuable characterization.