pietà

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pie·tà

also Pie·tà  (pyā-tä′)
n.
An image or figure of the Virgin Mary holding and mourning over the dead body of Jesus.

[Italian, pity, pietà, from Latin pietās; see piety.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

pietà

(pɪɛˈtɑː)
n
(Ecclesiastical Terms) a sculpture, painting, or drawing of the dead Christ, supported by the Virgin Mary
[Italian: pity, from Latin pietās piety]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Pie•tà

(ˌpi eɪˈtɑ, pyeɪˈtɑ)

n., pl. -tàs. (sometimes l.c.)
a representation of the Virgin Mary mourning over the body of the dead Christ, usu. shown held on her lap.
[1635–45; < Italian: literally, pity < Latin pietās piety]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.

pietà

A representation of Mary with the body of Jesus.
Dictionary of Unfamiliar Words by Diagram Group Copyright © 2008 by Diagram Visual Information Limited
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.pietà - a representation of the Virgin Mary mourning over the dead body of Jesuspieta - a representation of the Virgin Mary mourning over the dead body of Jesus
representation - a creation that is a visual or tangible rendering of someone or something
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
Translations

pietà

nPieta f, → Pietà f
Collins German Dictionary – Complete and Unabridged 7th Edition 2005. © William Collins Sons & Co. Ltd. 1980 © HarperCollins Publishers 1991, 1997, 1999, 2004, 2005, 2007
References in periodicals archive ?
The curator of this show has not only stuck Guston in the ancient sinking city inside a Roman Catholic museum abuzz with pietas, crucifixions, and other episodes from Season 2 of the Christian Bible, aka The New Testament, but he's also cramped Guston's stylehis uniquely autonomous place in the narrative of post-1950s American paintingby placing him in a "crowded room" with five heavyweight and in some cases heavily anti-Semitic poets of the modern literary canona motley crew of literary gods with initials like T.S., D.H.
American pietas; visions of race, death, and the maternal.
Sometimes these works were called the descent from the cross, or--to capture their mournful sentiment--lamentations or pietas; and in time the scene became the 13th Station of the Cross.
This play is especially important because it demonstrates the presence of female agency and opposition in a father-daughter relationship, and thus provides a new understanding of daughterly pietas. (8)
Not surprisingly, Grotius, the Remonstrant, opposed the political interference of the Reformed church, and his De imperio, like its predecessors Ordinum pietas (published in 1613) and Tractatus de iure magistratuum circa ecclesiastica (completed in 1614 but never published), argued that the summa potestas, the supreme power or civil state, enjoyed ultimate authority in religious matters.
Pietas Investments Limited has announced that, on 31 st May, it completed the acquisition of the business of Morgan Newmark.
As such, it would not be inaccurate to read him as an exemplary figure in Roman culture, an embodiment of pietas, or virtue - fidelity to the country, the family, and the gods(4) (Oxford Classical Dictionary 692).
But Edmondson's work belongs as much to the history, of spiritually inspired art - from early Christian sarcophagi and Romanesque tympana, to the late unfinished pietas of Michelangelo - as it does to Modern art.
The subsequent Pietas present vertical Christs, thus allowing greater latitude for the suggestion of gravity.
The second part places Michelangelo's presentation drawing of the Pieta for Vittoria Colonna into the intellectual and theological views of the circle that surrounded her, and ends by considering briefly the artist's Florence and Rondanini Pietas as further instances of his continuing interest in the reform of religious art.
He was fashioning an ideal Erasmian humanist, a pious, lay intellectual who rejected monastic contemplation (monachatus non est pietas) and chose the active life.
Watkins reads Virgil's imitation and recasting of Homer as a correction of decadent Greek models in favor of Roman pietas and imperium; feminine allure "becomes the dominant metaphor for Homeric romance conceived as an attractive but ultimately misleading influence" (12).