reseda

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re·se·da

 (rĭ-sē′də, -sĕd′ə)
n.
1. Any of various Mediterranean plants of the genus Reseda, including the mignonette, having densely flowered terminal racemes and divided petals.
2. A grayish or dark green to yellow green or light olive.

[New Latin Resēda, genus name, from Latin resēda, a kind of plant used to reduce tumors.]

re·se′da adj.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

reseda

(ˈrɛsɪdə)
n
(Plants) any plant of the European genus Reseda, including mignonette and dyer's rocket, which has small spikes of grey-green flowers
adj
(Colours) of a greyish-green colour; mignonette
[C18: from New Latin, from Latin: heal! from resēdāre to assuage, from re- + sēdāre to soothe; see sedate2]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.reseda - any plant of the genus Resedareseda - any plant of the genus Reseda  
herb, herbaceous plant - a plant lacking a permanent woody stem; many are flowering garden plants or potherbs; some having medicinal properties; some are pests
genus Reseda - Old World genus of herbs having racemose flowers: mignonette; dyer's rocket
mignonette, Reseda odorata, sweet reseda - Mediterranean woody annual widely cultivated for its dense terminal spikelike clusters greenish or yellowish white flowers having an intense spicy fragrance
dyer's mignonette, dyer's rocket, Reseda luteola, weld - European mignonette cultivated as a source of yellow dye; naturalized in North America
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
References in periodicals archive ?
Entre 1960 et 1962, Il resida au Maroc ou il put beneficier de l'offre militante et du soutien du Royaume dans sa lutte legitime.
Ai, talvez, resida o maior merito do ensaio socioantropologico de Duque: exprimir de maneira clara como esses padroes objetificam plasticamente os sujeitos, reificam uma normatividade artificial de sexo e de genero e articulam com outras formas de experiencia no espaco e no tempo capazes de alocar esses "corpos abjetos" num patamar inferior de vida em sociedade.
Vaciadas de contenido, ninguna de esas nociones sobreviven a los nuevos paradigmas de la critica: al mito romantico de la originalidad, Lespada opone singularidad y argumenta que esta quizas resida en todo "aquello que no pudo ser dicho", una suerte de potencialidad del sentido en estado de sedimentacion.