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 (rôb-grē-yā′), Alain 1922-2008.
French writer affiliated with the New Wave movement in cinema. His screenplays and novels, such as The Erasers (1953), subordinate plot to the treatment of space and time.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.


(French rɔbɡrijɛ)
(Biography) Alain (alɛ̃).1922–2008, French novelist and screenwriter. Author of The Voyeur (1955), Jealousy (1957), and Djinn (1981): he was one of the leading practitioners of the antinovel
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014


(ˌrɔb griˈyeɪ)

Alain, born 1922, French writer.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
References in periodicals archive ?
This particular exemplar could claim both Piers Anthony's Macroscope (1969) and Jonathan Lethem's As She Climbed Across the Table (1997) as antecedents from the sci-fi realm, but also Jose Luis Borges' Ficciones (1944) and Alain Robbe-Grillet's Instantanes (1962) from the lit-fic sphere.
But the book also carries with it an eastern European flavor as written by someone like Alain Robbe-Grillet or, more recently, Mathias Enard.
For instance, in a kind of proto-newsfeed, during the height of their activities members would use standard mail to circulate "Thoughts of the Month," a series of inspirational images or quotes from the likes of Samuel Beckett, Allan Kaprow, Lao Tzu, or Alain Robbe-Grillet.
The notoriety of Le Nouveau Roman was built partly through the cohesion of seven or eight writers united around their publisher, Jerome Lindon, at Les Editions de Minuit: Alain Robbe-Grillet, Michel Butor, Claude Simon, Robert Pinget, Claude Ollier, Samuel Beckett, and Nathalie Sarraute, as well as Jean Ricardou, who joined the group in the sixties.
fiction, Alain Robbe-Grillet's novel Jealousy, reader responses to literary fiction, The Sopranos, controlling fictional narrators in literature and film, metalepsis, and lyric poetry; performative art forms like drama, theatre, opera, and classical music; and games, with discussion of ethics and morality in role-playing games, agency and volition in Second Life, and prop perspectives in computer games.
Robbe-Grillet no se intereso en la realidad psicologica en si, sino en su aspecto fenomenico.
Mann harbors a particular fondness for the Left Bank Cinema group of filmmakers that included Alain Resnais, Alain Robbe-Grillet and Chris Marker.
Ainsi que le disait Alain Robbe-grillet : [beaucoup moins que]le roman doit etre delivre de toute interpretation prealable[beaucoup plus grand que].