Delaunay

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Delaunay

(French dəlonɛ)
n
(Biography) Robert (rɔbɛr). 1885–1941, French painter, whose abstract use of colour characterized Orphism, an attempt to introduce more colour into austere forms of Cubism
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That his Cubist Portrait of a Woman (1914) gets the planar fracturing of Cezanne wrong is spelt out by the work being hung opposite Robert Delaunay's Three Graces (1912), which gets it right.
Originally from Odessa, Delaunay had studied fine art in Germany before moving to Paris, where she married the painter Robert Delaunay. At the start of the First World War, they decamped to the Iberian Peninsula, where Sonia designed costumes for a Sergei Diaghilev ballet and redesigned the interior of Madrid's Petit Casino.
Sonia Delaunay habia vuelto a Paris el ano anterior, en 1921, despues de haber pasado los anos de la Primera Guerra Mundial con su marido, el tambien pintor abstracto Robert Delaunay, en Espana y Portugal.
In "Perceptual Simultaneity and Ultraismo: The Impact of Simultaneisme" Silverman discusses the influence of the French artist Robert Delaunay and his Russian-born wife Delaunay-Terk, who went to Spain to escape the chaos of World War I.
Indeed, one can even divest them of their machine-inspired origin, and still regard them as pure, unadulterated form, like the discs, say, of the French Orphist artist Robert Delaunay or, closer to home, the circular forms of the late Pacita Abad.
During the 1950s many artists--Joan Miro, Robert Delaunay, and Marc Chagall to mention just a few--turned their skills towards creating works in different mediums, printing fabric for fashion or theatre and reaching beyond the confines of the art collector audience.
El pintor Robert Delaunay decia: "Una buena pintura murmura siempre algun ritmo cosmico".
Brigitte Leal discusses the important 'Fauve' works the artist created after her studies with Ludwig Schmid-Reutte in Karlsruhe, Germany, in 1904, her studies with Rudolf Grossmann in Paris in 1907, and her introduction to the art of Braque, Picasso, Derain, Dufy, Metzinger, Pascin, and her future husband, Robert Delaunay (they married in 1910).
Lo es por muchas razones; una de ellas, evidenciar la influencia de este artista (Heraclion, Creta 1541-Toledo 1614) en la pintura europea, particularmente en obras de creadores como Pablo Picasso, Jackson Pollok, Francis Bacon, Paul Cezanne, Robert Delaunay, Andre Derain y Alberto Giacometti, entre otros muchos; una influencia que, debe aclararse, no se limito a la pintura: Rainer Maria Rilke y Nikos Kazan tzakis, ademas de otros escritores, dan buena cuenta de ella.
Inspired by the two-dimensional abstract art of Frantisek Kupka and Robert Delaunay that he had seen in Europe in 1909, Wright has here, paradoxically, used the traditional craft of stained glass to create a work that reflects the emergence of abstract art.
Y a esta pareja fundadora le sucedieron otras tan talentosas como Apollinaire y Picasso; Pierre Reverdy y Braque; Blaise Cendrars y Sonia y Robert Delaunay, por citar solo a las clasicas.
But what is particularly interesting is that while the young Jewish painter from Vitebsk in the Pale of Settlement (now part of modern-day Belarus) was influenced by the work of Cubists like Robert Delaunay for example, it was always on his own artistic terms, creating paintings uniquely and idiosyncratically his own.