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This paper proposes an analysis of the English plural and possessive within a declarative model of morphology called word design that employs unviolable constraints only to explain the well-formedness of regular forms.
In many other texts animated with the spirit of Resistance, an emphasis on dream, or on the strangeness of the world, provides an equally potent thematic focus as the self relates differently to its surroundings, stripping away tendentious layers of ideological prescription and relocating the hidden essence, the unviolable authenticity, of its experiential situation.
In contrast to constraints in optimality theory, the design conditions in his approach ("word design") are unviolable, language-specific constraints.