Volsung


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Volsung

(ˈvɒlsʊŋ)
n
1. (Norse Myth & Legend) a great hero of Norse and Germanic legend and poetry who gave his name to a race of warriors; father of Sigmund and Signy
2. (Norse Myth & Legend) any member of his family
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Shortly after this he became especially interested in Icelandic literature and published versions of some of its stories; notably one of the Siegfried tale, 'Sigurd the Volsung.
The Saga of the Volsungs is the most coherent account of the ill-fated romances, tragic murders, and epic wars of the Volsung family that medieval Scandinavian poems, sagas, and works of art allude to and celebrate.
And more modestly, the William Morris Archive has added new introductions for Sigurd the Volsung by Peter Wright and for Grettir, Egil's Saga, the Volsunga Saga and the Saga Library by Marjorie Burns, as well as images of autograph manuscripts held in the Cheltenham, Fitzwilliam, Morgan, Huntington and New York Public Libraries.
After this Tolkien went on discuss "the greatest of all the old northern dragon stories," the account of the killing of the dragon Fafnir by the Volsung Sigurd.
Members of Rhondda club Odyssey SAC sailed out of Dale on the charter boat Volsung and when they returned, Andrew Tucker, from Gilfach Goch, had done best by boating 37lb of pollack and bull huss.
8220;After a long time of retirement, Volsung has decided to come back to defeat the power of darkness.
As Dentith establishes, the different epic choices made by Macpherson and Scott represented the two paths available to poets throughout the Victorian period: try to produce "a nineteenth-century equivalent of the poetry of heroic ages," as William Morris attempted in his now-forgotten 1876 epic Sigurd the Volsung, or "provide a highly moralized story or set of stories that can prove exemplary in the present day" (74), as Tennyson did in his better-known Idylls of the King (1878).
Dentith returns to the epic's fast link to geography in his discussion of Tennyson's Idylls of the King and Morris's Sigurd the Volsung.
Engels, Marx, and Morgan also debated these themes, which Morris develops in The Story of Sigurd the Volsung (1877) and The Roots of the Mountains (1889), as well as in his essays Early England (1886) and Feudal England (1887).
Here, borrowing an image from the Volsung Saga, he writes: "No habia una espada entre los dos" (19).
Halfway through William Morris's Sigurd the Volsung she suddenly left for India with a newly acquired husband and we knew we had suffered a loss.