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 (vā′bərn), Anton Friedrich Wilheim von 1883-1945.
Austrian composer whose works, many of them written using twelve-tone techniques, are noted for their brevity and sparseness of musical texture.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.


(German ˈveːbərn)
(Biography) Anton von (ˈantoːn fɔn). 1883–1945, Austrian composer; pupil of Schoenberg, whose twelve-tone technique he adopted. His works include those for chamber ensemble, such as Five Pieces for Orchestra (1911–13)
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014


(ˈveɪ bərn)

Anton von, 1883–1945, Austrian composer.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
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They will play Im Sommerwind from Anton Webern, the Piano Concerto No.2 from Bela Bartok and Johannes Brahms's Serenades No.1.
Ruth Heney brings a programme of Prokofiev, Webern and Saint-Saens.
1, transcribed by Anton Webern. The music of "the Second Viennese School", which included composers Arnold Schoenberg and his pupils Anton Webern and Alban Berg, created a seismic shift in the western tradition of classical music, moving away from diatonicism and towards heterodox terrain in tonality and form.
"Along with his devoted students Alban Berg and Anton Webern, Schoenberg was the leader of what came to be known as the Second Viennese School.
So there followed improvisations from alto sax John O'Gallagher, pianist Hans Koller, double-bassist Sam Ingvorsen and drummist Gwilym Jones on extracts from Schoenberg and his pupil Anton Webern, all given with an acute awareness of structure and empathy towards each other.
Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words.
The evening program closes with Anton Webern's "Passacaglia," a chorale based on a passacaglia - a 17th-century dance accompanied by a repeated bass line.
24 (1920-23), and Anton Webern in Fiinf Stiicke, op.
The lives of three of them, Mozart, Beethoven and Haydn, overlapped, with the less familiar name of 20th century musical wild-child, Anton Webern also included.
The German Lied After Hugo Wolf: From Hans Pfitzner to Anton Webern
Among their mentors are the Belcea Quartet, whose violist Krzysztof Chorzelski described Webern's Langsamer Satz (Slow Movement) of 1905, which came next on the programme, as "a Mahler Symphony shrunk down" and "music on the brink".