affoord

affoord

(əˈfɔːd)
vb (tr)
an archaic form of afford
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
References in periodicals archive ?
I know these populous times affoord plentie of forward Writers, and criticall Readers; My selfe hath made the number of the one too many by one; and having bin toucht with the censures of the other, by occasion of my mouzeling Melastomus, I am now, as by a strong motive induced (for my rights sake) to produce and divulge this off-spring of my indevour, to prove them further futurely who have formerly deprived me of my due, imposing my abortive upon the father of me, but not of it.
The pamphleteer explains that he will first give the reader important background on Elvetham itself: "Before I declare the just time or manner of her Majestie's arrivall and Entertainment at Elvetham, it is needful (for the readers better understanding of everie part and processe in my discourse) that I set downe as well the conveniencie of the place, as also the suffising, by art and labour, of what the place in itselfe could not affoord on the sodaine, for receipt of so great a Majestie, and so honoruable a traine" (99).
(19) Germanely to the current discussion, Robert Greene himself in Menaphon, published the year after Perimedes, would write that the Arcadian king Democles 'spent his time Epicure-like in all kinde of pleasures that either art or expence might affoord; so that for his dissolute life he seemed another Heliogabalus'.
A friend of Warner, the Anglo-Saxon scholar and zealous royalist William Somner, gave the font considerable attention in his The Antiquities of Canterbury (1640): Observing by the way, and that in the next place, one rare piece of novelty, which, because it hath been hitherto omitted, and is so worthy as I may not altogether balk or utterly passe it over in silence, I must affoord a place here, and that not altogether improperly, since it is a monument; not of the dead, I confesse, but (which is much better) of the operative and exemplary piety of the living Donor.
Just such a reading controls DuBartas' handling of this troublesome element in the murder story: Each on his Altar offreth to the Lord The best that eithers flocks or fields affoord. Reine-searching God, thought-sounding Judge that tries The will and hart more then the work and guise, Accepts good Abels guift: but hates the other Prophane oblation of his furious Brother Who feeling deep th'effects of Gods displeasure Raves, frets, and fumes, and murmurs out of measure.