He is neither a narrator, nor an allegorist
. He is a great teacher, a corrector of morals, a censor of vice, and a commender of virtue.
The nine essays that make up the bulk of the volume--on Klimt as allegorist
, portraitist, 'ornamentalist', landscapist and Symbolist--are by Weidinger, Seiser and four other contributors, most notable among them being Alice Strobl (author of the exemplary four-volume catalogue raisonne of Klimt's drawings published during the 1980s).
Alongside Benjamin's "melancholic allegorist
," Jenckes observes Borges walking the streets of Buenos Aires, collecting discarded objects and memories not in order to reconstitute any specific or coherent sense of self, but, as she writes, "to interrogate the poet's present sense of identity" (20).
The fabulist was neither a narrator, in the sense of the modern short story, nor an allegorist
. He was a gifted teacher-philosopher, whose relation to the stories and the audience involved different temporal and spatial dimension.
Far more liberated than the allegorist
, he is a new literary critic immersed in a world of images--produced by "an apparatus that substitutes light for shade, shade for light"--that can therefore have no finality in themselves (qtd.
Johann Sebastian is his hero, "a father of the late Baroque," "the age's acknowledged master of both fugue and improvisation," a Lutheran, a Pietist, an Allegorist
, an Alchemist, a Catechist, and a Golden Oldie, who fathered twenty children with two wives, did wonders for the celebrity of the harpsichord and the oboe, and once threw his wig at an organist, along with the suggestion that the miscreant become instead a cobbler.
Spenser's handling of allegory and vision appeals to Johnson both as a critic and as an allegorist
, but obviously he finds little to praise in his pastorals, the genre that evokes the critic's scorn in many respects.
"There are many Origens: philosopher, scholar, mystic, exegete, allegorist
, saint ...
Notwithstanding the perspicacity of Amos Oz's interpretation of Isaac as a representative of existential guilt or the fine accuracy of Jonathan Rosen's vision in his New York Times review of Agnon as a great modernist, it seems clear that neither sabra nor Diasporaite is critically disposed to respond to the matter of angst as undergone by olim Social critic, ironist, surrealist, allegorist
, metaphysician, and modernist to be sure, but perhaps above all is Agnon a supreme psychological realist.