Giving Beyond the Gift: Apophasis
and Overcoming Theomania.
, and the Critical Imagination: The Unsayable in Heart of Darkness.
Here then is the true glory of the arts--it is a medium that is in constant flux, a constant state of apophasis
In 1960 he founded the first gallery in Cyprus, the Apophasis
Gallery, with Christoforos Savva at a time when the country had just thrown off British rule and was trying to make a new start.
This is the rhetorical device of apophasis
, in which the speaker or writer gives stealthy prominence to an idea by seeming to reject it.
He explains that evocative communication recurrently appears in mystical non-fictional writings, where it is classified into apophasis
coercion and the rhetorical question through No-No Boy, apophasis
and necessity through China Men, catachresis and error through BluAEs Hanging, and allegory and deceit through Native Speaker.
Despite her link between cosmic beginnings and the womb there and in her 2010 essay "Tangles of Unknowing," (70) her most recent work seeks an apophasis
of gender, described as an unknowing and unsaying of gender and sexes, in order to embrace "the manifold," a position she calls "transfeminism.
Ha hecho escolios morales, y traducido el libro de Secretis secretorum de Aristoteles; La exhortacion a la constancia cristiana; La declamacion por la Providencia contra la Fortuna; La version de Eustacio en los sucesos de Ismenes; La jornada del Principe de Gales a Espana; El Apophasis
de Protectoribus & Praepositis; ElDipthycon Toletanum; y muchas cosas en prosa y verso, como son la Primer semana, la Casa de campo de Madrid; pero, sobre todo, la Zeatropania Mystarum Hesperiae (31).
41) What is of most interest to me here, however, is that for Dionysius, as for the Christian tradition as a whole, apophasis
always comes together with what Dionysius called cataphasis, the saying or naming of God.
Drawing here on ideas of apophasis
in Pseudo-Dionysius, Lazenby focuses her attention on the failure or limits of artistic expression as represented through the character of Lily Briscoe in To the Lighthouse and Miss La Trobe in Between the Acts.
Opponents did also--in his well-known refutation of Avicennan metaphysics, Musaracat al-falasifa (Struggling with the Philosophers), al-Shahrastani attacked the notion of tashkik in favor of his own Ismaili apophasis