Maud Ellmann's brief discussion of the opening sentence of "Eumaeus"--the egregious "Preparatory to anything else Mr Bloom brushed off the greater bulk of the shavings and handed Stephen the hat and ashplant
and bucked him up generally in orthodox Samaritan fashion which he very badly needed"--fails to observe the recycling of the same images from this first cunning sentence.
In "Circe," for example, a sober Bloom helps keep Stephen out of trouble and even keeps track of Stephen's hat and ashplant
: The son of William and Mary Ashplant
, of 41, Upper Warwick Street.
4) Diz-se historia dos vencedor (whig history em ingles) daquela maneira de fazer historia que nao se esforca para dar voz aos perdedores, aos derrotados, aos subalternos--uma historia contada a partir do ponto de vista dos grupos dominantes, Ver, a esse respeito, por exemplo, Wilson, e Ashplant
(1988) e Shuster (1995).
, Whig History and Present-Centred History, 31 HIST.
Stephen follows Bloom by exercising his "mnemotechnic," drawing a single word from his " intellectual imagination" (582) to transform his ashplant
walking stick into "Nothing" (583), which sounds like 'Nothing,' but which is actually the name of Siegfried's magic sword in Wagner's Die Walkure, a sword hidden by a god in the heart of an ash tree ("ashplant
Outsize send-ups of the artist-shaman's staff or the fop's ashplant
(recalling, for example, Andre Cadere's long poles, or Joseph Beuys's staff in his performance I Like America and America Likes Me, 1974), the bars also brought to mind the parodic gesture of Armleder's Don't Do It
, Graham Dawson, and Michael Roper (London and New York: Routledge, 2000).
Debutant striker David Ashplant
bagged the first of his hat-trick after just five minutes, poking home on the line after a Jordan Craig shot was saved.
By referring Joyce's Ulysses to its Christian "sources" and "origins"--and this is true whether we assign to Joyce the status of crypto-Catholic or the status of Antichrist manque--we deny him the pagan status that he claimed, we refuse to acknowledge that he and his art have indeed "come of age" When Stephen Dedalus raises up his ashplant
and smashes the chandelier in Bella Cohen's brothel in Nighttown, he utters words from the Vulgate--"Non serviam
In other words, I understand trauma in this case in a broadest sense that "trauma may arise not only from an acute event but also from a persisting social condition" (Leydesdorff, Burchardt, and Ashplant
, Graham Dawson, Michael Roper, The politics of war: memory and commemoration (London: Routledge, 2000): 3-85