baldachin

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Related to baldachins: Baldaquin, Canopy of state

bal·da·chin

 (bôl′də-kĭn, băl′-) also bal·da·chi·no (băl′də-kē′nō)
n. pl. bal·da·chins also bal·da·chi·nos
1. A rich fabric of silk and gold brocade.
2.
a. A canopy of fabric carried in church processions or placed over an altar, throne, or dais.
b. A structure having the form of a canopy, usually built of stone or bronze, over the altar of a church.

[Italian baldacchino, from Old Italian, from Baldacco, Baghdad (where rich brocade was woven in medieval times).]

baldachin

(ˈbɔːldəkɪn) or

baldaquin

;

baldachino

(ˌbɔːldəˈkiːnəʊ)
n
1. (Textiles) a richly ornamented silk and gold brocade
2. (Architecture) a canopy of fabric or stone over an altar, shrine, or throne in a Christian church or carried in Christian religious processions over an object of veneration
[Old English baldekin, from Italian baldacchino, literally: stuff from Baghdad, from Baldacco Baghdad, noted for its brocades]

bal•da•chin

or bal•da•quin

(ˈbæl də kɪn, ˈbɔl-) also

bal•da•chi•no

(ˌbæl dəˈki noʊ)

n., pl. -nos.
1. a silk brocade woven or embroidered with gold threads.
2. a permanent ornamental canopy above an altar, throne, etc.
3. a canopy carried in religious processions.
[1590–1600; < Italian baldacchino, derivative of Baldacc(o) Baghdad]
bal′da•chined, adj.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.baldachin - ornamented canopy supported by columns or suspended from a roof or projected from a wall (as over an altar)baldachin - ornamented canopy supported by columns or suspended from a roof or projected from a wall (as over an altar)
canopy - a covering (usually of cloth) that serves as a roof to shelter an area from the weather
Translations
References in periodicals archive ?
His painful awareness of the contrast between the banality of most ecclesiastical furnishings since the 19th Century and the timeless beauty of the Latin liturgy informs the opening scene of his second book, The Anathemata, where the priest celebrates Mass --between the sterile ornaments under the pasteboard baldachins.
Back inside the Arsenale proper, the American firm Ochsendorf Dejong & Block, working with Block Research Group and the Escobedo Group, demonstrates the efficiencies of compression-only continuous structures--which can be used to support buildings but use 70 percent less material than typical reinforced concrete piers--via a sequence of soaring baldachins.
Sometimes these forms appear as a dense proliferation of leaves on the capitals, other times they are a mass of branch-like work crawling up columns and walls, or they are clusters of leaves and flowers carved into wooden choir stalls and altar baldachins.
The contemporaneity is highlighted by mundane references, such as that of the baldachins occupied by 'the handsome Roman women,' but also by literary references, such as those to Pietro Sterbini, d'Azeglio and Manzoni.
At the church in Torpo and at the church once in Al, now at the Oldsaksammling of the University museum in Oslo, there are enormous baldachins at the eastern end of the apse with life size images of Christ.
This sumptuous banquet of sensory symbols is dispersed among grotesque work including allegorical figures of plenty and victory in hanging baldachins, and fantastical half leaf and foliage humanoids.
3 and 5)--two allegorical figures hang in baldachins.
Thrones and throne baldachins, like altar canopies, were mere pieces of furniture, distinct from tombs and their coverings affixed to or built into a wall and from those that were works of architecture in their own right.
The sources for the arcuated throne canopy symbolizing divine, or divinely educed, rule are plentiful; and here again, as for arcuated tomb baldachins and altar ciboria, Byzantine artists played an important role.
Beyond the prototypes offered by such works of portable Byzantine art, the presence of arcuated canopies in early Italian scenes of burial is explained more directly by reference to the ceremonial baldachins of stone framing Italian monumental wall-tombs for the honored dead, ecclesiastical and lay, of the later dugento and trecento.
Using real pencil and ink on fancy parchment, Bronstein's idealized piazzas, baldachins, and grottoes deliver the same veneration for detail and precision as renderings by genuine Enlightenment-era draftsmen.