Irony was understood during the Renaissance as a way to reconcile opposing beliefs or perspectives, and Chapman, perhaps more so than others at the time, grasped "the Homeric simile, with its latent irony, as a means of uniting contrary styles and attitudes--high and low, sublime and bathetic
, serious and trivial--at play in the Iliad and Odyssey" (260).
Interstellar was a three-hour space fantasy which turned out to hinge on a father's love for his daughter -- a development some found bathetic
, others devastating.
In lieu of stale and timeworn covers conveniently stringing together mushy tales of love and loss, the movie introduces original songs-except for its winking takes on A Flock of Seagulls' 'I Ran' and A-Ha's scorching '80s anthem, 'Take on Me'-that prefer to do away with bathetic
emotionalism or vein-popping theatricality.
The distinctive feature of Io's story, then, is that it is inevitably comic and bathetic
Such hefty subject matter, filtered by the artist through the commodified affect of the meme, slides into the bathetic
One picture has a mordantly bathetic
caption--'corpse with a receding hairline and a toe tag'.
What does one make of a story that portrays a teacher swearing at his students and ends with bathetic
phrases of lukewarm self-congratulation ("Any role I played in a young person's life.
The princes of Richard III die offstage, and Arthur's accidental death is notable more for its bathetic
absence of sentimentality rather than for any feeling of pathos it evokes.
Throughout I Am a Phenomenon, Kharms shows a precocious and consistently high level of accomplishment with peripheral forms--sketches, dialogues, fragments, anecdotes, bathetic
fables, and more.
The Dream and the Dystopia: Bathetic
Humor, the Beats, and Walt Whitman's Idealism.
In both Lee Dengler's bathetic
"Things That Never Die'' and Lloyd Larsen's "A Tribute to the Armed Services,'' the Singers sounded a bit stiff, but the latter at least allowed the chorus to recognize and celebrate the audience's many veterans.
For his Broadway debut, Riggan has selected Raymond Carver's "What We Talk About When We Talk About Love," adapting the short story in such a way as to give himself all the glory, from the bathetic
monologue that comes just before intermission to the ballistic finale (invented for the play), which sees his character blowing his brains out moments before the curtain falls.