brushmark

brushmark

(ˈbrʌʃˌmɑːk)
n
the indented lines sometimes left by the bristles of a brush on a painted surface
References in periodicals archive ?
I want to explore their drama and tensions through colour, texture, light, gesture and brushmark.
where [eta] is the viscosity, G characterizes the changing geometry of the brushmark or other irregularity, [sigma] is the surface tension, and T is the film thickness.
After a cocktail hour in the Rotunda of the museum, a dinner-dance was held at Brushmark Restaurant, where guests enjoyed a Southern-style meal catered by executive chef Wally Joe Favorite dishes were the shrimp and grits and braised pork betly BLT on brioche.
Market Satisfaction Gap Hiding Power 37% Brushmark Leveling 13% Window Sticking 12% Crayon Removal 36% Brushability 19% Scrub Resistance 30% Fading Resistance 10% Stain Resistance 14% Sprayability 16% Factory Mix Time 6% Note: Table made from bar graph.
One of my interests is the new seedlings, to see what s new: colour variation/ combination; spotting, line, or brushmark pattern--especially, on the dark red-flowered or narrow flower petaled seedlings.
The day before the wedding, a bridal luncheon was given by Carol Densford at the Brushmark in the Brooks Museum.
Watery washes of a generally muted colour palette abut intensely dark, shadowy passages or sudden moments of luminous colour, their textural, brushmarked surfaces disclosing optical depth.
Green scumbled brushmarks represent the vegetation; the sky consists of unpainted wooden support; and flat, smooth gray stripes form the shed.
The chair features bright, scattered brushmarks printed on velvet, and is not only visually stunning, but feels soft and sumptuous to touch.
It is the technical skill of Lii Ji and others, and their faithfulness to certain materials, that his exhibition glorifies: the 'subtle gradation of colouring' that Zhang remarks of in the catalogue, the 'freer, wetter' brushmarks of the rocks and trees, and the quality of the line.
Then there is the question of the marvellous and incredibly detailed painting used on the finished base - how did the decorators paint so smoothly and without showing any brushmarks? All these things are answered well and intelligently and a dozen other works are quoted for further reading.
As shown in Figure 7, the material was found to be anisotropic because of the brushmarks on the material surface.