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also ce·su·ra (sĭ-zho͝or′ə, -zo͝or′ə)
n. pl. cae·su·ras or cae·su·rae (-zho͝or′ē, -zo͝or′ē) also ce·su·ras or ce·su·rae
1. A pause in a line of verse dictated by sense or natural speech rhythm rather than by metrics.
2. A pause or interruption, as in conversation: After another weighty caesura the senator resumed speaking.
3. In Latin and Greek prosody, a break in a line caused by the ending of a word within a foot, especially when this coincides with a sense division.
4. Music A pause or breathing at a point of rhythmic division in a melody.

[Latin caesūra, a cutting, from caesus, past participle of caedere, to cut off; see kaə-id- in Indo-European roots.]

cae·su′ral, cae·su′ric adj.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Adj.1.caesural - of or relating to a caesura
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
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References in periodicals archive ?
It is absolutely under the control of the operator." (22) This description reflects back on "Sibyl's Leaves," suggesting that the manuscript's varying caesural marks render the long sonnet navigable, much like tracks on a modern compact disc.
At the same time, he was engaged in the composition of 154 Forties, poems written in a more traditional compositional method, incorporating an emphasis on prosody and caesural spaces.
Both these positions shaped a culture of 'continuous commemoration' and 'imperial thanksgiving' that preserved 1857 as 'a caesural moment in the history of the Indian empire--replete with signs and wonders [...]--when all was nearly lost only to be regained once more'.
After a caesural intermission, the poem returns to the ants' world, ensconcing the speaker's emotions.
et femme d'Helenus," with all the poignancy of that caesural "helas!") (Oc 1: 85-87; "Le Cygne," poem LXXXIX).
The following systems from Richard III and Romeo and Juliet illustrate this development (in particular, note how Romeo's soliloquy observes the caesural pauses): Duchess of York (R3 2.2.79-88): A: Alas!
From the caesura in his surname (which creates its own puzzle and foils assumptions of a Scottish heritage) to the six-decade output of delightfully improbable, sometimes neologistic vocabularies, chance-determined (or not) caesural silences, and lettristic, phonemic, and other kinds of sonic and visual play that combined intentionality and indeterminacy, Mac Low's brilliance and humor both augmented and complicated linguistic geometries of attention.
Phillips's narratives advance through caesural rhythm, so even as Alma tries to fit the disparate pictures together, Buddy (the eight-year-old boy who lives near camp with his mother, Hilda, the camp cook, and his abusive stepfather, Carmody) translates the markings on the wall of the cave.