Even the graphic text at this point is assigned a rare and meaningful sign, according to the Masoretic cantillation
tradition that indicates how the Torah (otherwise lacking nikud or vowel points, in scroll form), should be chanted, vocalized, and accented.
At Werner's request, Binder joined the school's inaugural faculty as a professor of composition and cantillation
For clips of the Arabic Classical Music Ensemble performing cantillation
, see www.
This was less likely in the verses in Jeremiah and II Chronicles noted above, where the cantillation
separates the words.
From the 8th to 10th centuries, anti-Rabbanite scribes in Tiberius, then the center of learning in Palestine, copied the surviving scrolls, preserving what is called the Masoretic scripture--the vowels, punctuation and cantillation
markings needed to vocalize and chant the text, as well as notes in the margins about such details as spelling.
He calls cantillation
symbols "lahninf rather than "le amiiu" (9) and oddly attributes the Ramones' use of Nazi imagery bo Stockholm Syndrome (230).
For Paul Robeson, the black pastor's chanted homily and the Jewish cantor's synagogue cantillation
shared common roots and the same horizons.
In addition to much new data, Tov's handbook gives a fresh review of items like vocalization, the division into chapters and paragraphs, cantillation
signs, and the Masoretic notes.
Tradition holds that the ta'amim, the cantillation
marks that denote the melodic phrases used in the chanting, were given at Sinai along with the words of Torah.
Similarly, she mentions the German classical tradition and Hebrew cantillation
in the context of the Fourth String Quartet, but treats the work as reflecting the composer's American identity apparently on the basis of its relative accessibility and the popularity of string quartet composition in his adopted homeland.
Two of the contributions deal with issues of tradition and continuity: Ulrike-Rebekka Nieten discusses the cantillation
tradition of the Samaritans, with specific reference to the first three verses of the Song of the Sea (Exodus 15:1-18), and Stefan Schorch examines the evolution of the Passover sacrifice within the Samaritan tradition, as reflected in the accounts of travelers to the region at the beginning of the twentieth century.
They walked to Hebrew school together and slouched side by side throughout sour-breathed Rabbi Finkelstein's cantillation