You've only got to witness song titles like Manipulate Your Figments and Goddamn Sounds Good to know that Radiohead's sonic cerebralism
this certainly is not.
In Gesture and Speech he mobilizes a vast array of material not only to illuminate the paleontological articulation of gesture and speech, but to defeat "cerebralism." As he tellingly puts it: "Evolution can of course be viewed as the triumph of the brain, but it is a triumph subordinated to certain overriding mechanical realities.
Like Leroi-Gourhan, Hertz is concerned to out-maneuver a certain cerebralism. For the neurologists who study hand preferences this might mean establishing what is inadequate about De Broca's proposition: we are right-handed because we are left-brained.
Ernesto Guerra De Cal wrote in his entry that Pessoa 'is the master of intellectual lucidity in the realm of emotion, but beneath the apparent coldness of lyric cerebralism
, which at times appears to be a clever game, one detects a sentimental energy that impels the poet toward direct communication, toward the liberation of verbal expression and at times toward irrational intuition' (ed.
and all notions of "cerebralism
" and "decadence"--two words critics
Eva's pilgrimage to her grandmother's grave at Babi Yar is far less melodramatic than might be expected, though it is one of the few moments when her overheated cerebralism
arrives at cognition of its own impotence.
(1) By elaborating on Marinetti's belief in action and violence, his glorification of the machine and his rejection of the past, Ginanni, like other Florentines, cultivated an interest in occultism and dream, but with a cerebralism
that was more pronounced.
So events like World Youth Days, with their processions and popular devotions like the rosary, Stations of the Cross, and veneration of the saints, nourish the senses; they are an understandable reaction to postconciliar cerebralism
Does the fact that he needed to write out all row forms for reference really indicate less cerebralism
than Schoenberg's ability to do the calculations rapidly in his head?
Such writers as Maria Ginanni and Irma Valeria, for example, were defined ironically as scrittrici azzurre by other women of the same group, because of their frequent representations of feminine selves transformed into azure expanses, and, mostly, because of their recurrent languishing embellishments and abstract cerebralisms
. Two passages, one from "I ponti delle cose" and another from "Variazioni" in Maria Ginanni's Montagne trasparenti (1917), offer a good example of this writing style.