And here we would remark a great difference, in point of character and quality, between the two classes of trappers, the "American" and "French," as they are called in contradistinction
Weston the curate: I used to mention him sometimes in contradistinction
In other words, I did not stop to think, which I believe must be the way of men who do things--in contradistinction
to those who think much and do nothing.
to the doctrine that God is everything.
It runs (in contradistinction
to hopping), but not quite so quickly as some of its congeners.
Just as he liked and praised a country life in comparison with the life he did not like, so too he liked the peasantry in contradistinction
to the class of men he did not like, and so too he knew the peasantry as something distinct from and opposed to men generally.
Little Bethel might have been nearer, and might have been in a straighter road, though in that case the reverend gentleman who presided over its congregation would have lost his favourite allusion to the crooked ways by which it was approached, and which enabled him to liken it to Paradise itself, in contradistinction
to the parish church and the broad thoroughfare leading thereunto.
Proof if ever needed that the artist is capable of upping the game (not the reverse) in contradistinction
to major economic crises.
In this regard, rhetorical and systemic perspectives have gained momentum within deliberative theory in the last years, showing a similar ambition to link normative political theory, on the one hand, and empirical research and actual political practice on the other; as well as to develop a more realistic macro approach to deliberative democracy, in contradistinction
to previous approaches focusing on minipublics and specific participatory arenas.
, fast food diets are laden with poor quality trans-fats and Omega 6 oils, refined sugar and starches, artificial chemicals, and heat-damaged proteins - a pro-inflammatory load.
Chung had previously argued that, in contradistinction
to some of Shin Films' products, the films that Shin Sang-ok directed catered specifically to rural Korean audiences.
Schnekloth challenges the common contradistinction
between "the real" and "the virtual," since media forms are constantly evolving and layering (e.