There is one end of the room where it is almost intact, and there, when the crosslights
fade and the low sun shines directly upon it, I can almost fancy radiation after all,--the interminable grotesques seem to form around a common centre and rush off in headlong plunges of equal distraction.
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In "Lunchtime in a London Cafe," the poet says, "Sitting / here I know I've felt the throb / of Jerusalem or Rome or any city / yet to come, where there's a cafe / and we, citizens all, break bread." He writes how his "own variation shaping this history / Of a theme as though one narrow heart / Contains the fractured voices of humanity" ("in Crosslight