daguerrotype


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daguerrotype

[dəˈgɛrəʊˌtaɪp] Ndaguerrotipo m
Collins Spanish Dictionary - Complete and Unabridged 8th Edition 2005 © William Collins Sons & Co. Ltd. 1971, 1988 © HarperCollins Publishers 1992, 1993, 1996, 1997, 2000, 2003, 2005
References in classic literature ?
I have seen his portrait,--a rare old daguerrotype,--and some of his letters to our author.
Daguerrotype (2016) marked Kurosawa's first overseas production, and his current film, To the Ends of the Earth (working title) is an international co-production shot in Uzbekistan.
On April 2, 1845, French physicists Louis Fizeau and LAaAaAeA@on Foucau took this daguerrotype photograph of the sun, the oldest one that is still around today, according to (https://sunearthday.nasa.gov/2006/locations/firstphoto.php) NASA .
With the development of the daguerrotype (early photographic process) there was a decline in popularity of miniatures.
It was called the daguerrotype, and it dominated the portraiture business for the next 20 years.
The work is divided into six thematic chapters with the first presenting a basic history of the invention of photography, discussing the chemistry/optics fusion of early daguerrotype and evolution of film and camera technology.
One Daguerrotype Plus Photographs Esta seccion cuenta con 30 paginas y 10 textos que presentan distintos retratos y situaciones que giran, en su mayoria, en torno a Jehu Malacara, a excepcion de los dos ultimos textos de la seccion.
I must entreat you to ask the engraver to leave out the groups of figures from the picture_and also to omit the end of the out-house seen from behind_and to put in the sky & clouds above_which the scope of the daguerrotype (sic] could not cover.
In addition, since classical antiquity the visual arts in particular have contributed to transmitting literary content and the development of media since the nineteenth century (from daguerrotype to DVD and audiobooks) has further added to the spectrum of media which do so.
Though more loosely connected than the three Dantean chapters of Notre Musique, Socialisme's triptych develops many motivic or thematic through lines: the exploitation and abandonment of Africa and the end of poor, unhappy Europe; cameras, primitive to digital, daguerrotype to camcorder, and the undependable images they produce; gold (as name, watch, lucre, silence, necklace, teeth); the futility of political action and the lost ideals of the French Resistance; the wisdom of children and animals, neither of whom have any rights.
Oram's trompe l'oeil overhead mural, alternately a peeling daguerrotype and color portrait of Southern aristocracy, embodies Uhry's ambivalent view of his native South: absorbed by pride and honor, though founded on an evil legacy not fully erased.