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tr.v. dis·liked, dis·lik·ing, dis·likes
To regard with distaste or aversion.
An attitude or a feeling of distaste or aversion.

dis·lik′a·ble, dis·like′a·ble adj.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Adj.1.dislikable - such as to provoke dislike
disliked - regarded with aversion; "he was intensely disliked"
References in periodicals archive ?
The UK shouldn't be demeaning itself and giving credibility to a highly dislikable regime, just for a few billion in investment.
Based on Toby Young's celebrated memoir, How To Lose Friends & Alienate People is a dull, lifeless mess and Pegg is a most dislikable and unsympathetic anti-hero, grating from the very first smug grin.
He goes to the office of sleazemeister extraordinaire Joe Banner (the peerlessly coarse and dislikable Allen Garfield), head of Banner Films, a pornographic movie company that confirms another of the film's alternate titles, Blue Manhattan.
The last creates the harshest and simultaneously most interesting and dislikable character.
While the women are sometimes horribly predictable and the consequences of Flynn's actions are deeply unpleasant, Flynn himself emerges as a very interesting, if dislikable character.
Enterprises that wouldn't think of letting an accounting school dropout run its finances, a Luddite run IT, or a klutz supervise safety routinely let dislikable, insincere, or aloof men and women assume stewardship for a crew of the company's ostensibly greatest assets.
Now, having presented his dislikable, loutish, bigoted and misanthropic principal characters, Roth invites the audience to share their terror as whoever survives tries to escape the horror.
And a more dissolute, disreputable and dislikable character to break with the suave, super-competent 007 image would be hard to imagine.
Chapter 6 [(sic)s] offers a fairly amusing meditation on the "(Sic) of irony" complete with a suitably sophisticated post-structuralist disclaimer of the word zeitgeist as "a tired and dislikable word reluctantly re-yoked for short, symbolic duty here" to delineate the "virtually automated cynicism" characteristic of literary criticism in this postmodern, post-contemporary era in the Nova Hibernia of the present.
There's little in the way of imaginative idealism, just loads of drum banging and the celebration of people who have either killed or been killed, or who have just generally been dislikable gits to many in our society.
Though Dalai relished the absolute authority conferred on a storyteller to dole out deserving fates to his dislikable characters, he also took a simple, childish joy in putting over outlandish tales.